The Committee for Common Sense met every Thursday at precisely the same time: just after outrage o’clock and right before historical amnesia.
Their headquarters was a windowless room decorated with patriotic wallpaper and a large red button labeled “SIMPLIFY.” No one knew what it did, but pressing it made everyone feel better, which, in the Committee’s view, was the same as being right.
At the head of the table sat Chairman Blunt, a man who believed nuance and coherence were contagious diseases. He began the meeting with the usual ritual: a moment of silence for the complexity they had successfully eliminated that week.
“First order of business,” he announced, tapping his gavel like it owed him money. “We’ve received complaints that reality is becoming… inconvenient.”
A murmur rippled through the room. Inconvenient reality was their greatest adversary. More dangerous than facts, more persistent than evidence.
“We must act,” Blunt continued. “Suggestions?”A hand shot up. It belonged to Doris, head of the Department of Nostalgia.
“What if we replace reality with a better version?” she offered. “One where everything used to be perfect, everyone knew their place, and no one asked questions we didn’t like.”
“Brilliant,” said Blunt. “We’ll call it Tradition. People love that.”
Another member, Seb from the Bureau of Selective Freedom, leaned forward. “We should also expand liberty,” he said, pausing for effect. “Specifically, the liberty to agree with us.”
Applause erupted. Expanding freedom by narrowing it was a long-standing Committee favorite.
What a classic.
From the corner, a junior aide timidly raised his hand. He was new, still afflicted with curiosity.
“But sir,” he said, voice trembling, “what about people who don’t fit into our… simplified version?”
The room went quiet. Chairman Blunt regarded him with the same expression one reserves for a stain that refuses to come out.
“Then they must be simplified,” he replied.
The aide opened his mouth, then thought better of it. He made a note to himself: Stop thinking.
Meanwhile, the Committee moved on to education reform. Their proposal was elegantly straightforward: remove anything that made people think too much, feel too deeply, or question authority. In its place, they would introduce a single subject: Certainty.
“Children don’t need to learn how to think,” Doris explained. “God forbid. They need to learn what to think. It’s more efficient.”
Efficiency was the Committee’s guiding principle. Why wrestle with messy truths when you could package a tidy lie and sell it wholesale?
As the meeting drew to a close, Chairman Blunt gestured toward the red button.
“Shall we?” he asked.
One by one, they pressed it. The room hummed softly, like a lullaby for inconvenient thoughts. Outside, the world remained as complicated as ever. But inside, everything was perfectly clear.
The Committee adjourned, satisfied. They had once again defended simplicity against the creeping threat of reality.
And somewhere, far beyond the reach of their wallpapered certainty, the unanswered questions continued to multiply. Quietly, stubbornly, waiting for someone brave or foolish enough to notice.
The first is the theatrical sort: cackling maniacs with lava pits, themed henchmen, and a frankly admirable commitment to interior design. The sort who monologue about destiny while standing on balconies shaped like jagged teeth, as if they ordered their entire aesthetic from a catalogue labelled “Subtlety Is For Cowards”.
The second is the quiet, insidious kind: corporations, middle management, and anyone who says “circling back” in a meeting without being immediately escorted out of the building. These are the people who don’t need laser beams or death rays because they’ve already mastered the art of draining the human soul through email chains and passive-aggressive calendar invites.
And then there’s us.
We meet every Thursday evening in a community centre that smells like damp carpet, burnt toast, and the vague suggestion of something that might once have been soup. It’s sandwiched between a Pilates class and something labelled “Expressive Clay for Beginners”, which I strongly suspect is code for people who can’t be trusted with knives but still need an outlet for their more sculptural urges. Or a drug front.
The sign on the door reads:
SUPPORT GROUP FOR EMERGING VILLAINOUS TALENT (Please bring your own biscuits)
Which, I feel, sets the tone rather effectively.
My name is Eleanor Vex, and I can make queues longer.
Not in any grand, reality-warping sense. I can’t conjure crowds out of thin air or bend space-time into a neat little pretzel. What I can do—what I have discovered I am uniquely and depressingly gifted at—is ensure that whenever someone joins a queue, it becomes just slightly longer and slower than it ought to be.
A person steps into a tidy line at a coffee shop expecting a brisk transaction, and suddenly there are three more people in front of them than there were a moment ago, and the barista has developed a deeply personal relationship with the concept of oat milk.
It’s subtle. Petty. Utterly infuriating.
And completely useless if your ambition is anything more ambitious than mildly inconveniencing a stranger on their lunch break.
Which, unfortunately, mine was.
I didn’t discover my ability in a dramatic fashion.
There was no lightning strike, no mysterious serum, no ancient artefact humming with ominous significance. I discovered it in a Pret.
I had been standing in what I was assured was a “quick queue”, which in London translates loosely to “a slow-moving existential experience with sandwiches”.
I remember thinking, with the quiet bitterness of someone who had already committed too much time to the endeavour, that it seemed to be taking longer than usual.
Then I noticed something odd.
Every time I shifted forward, someone else appeared in front of me.
Not in a dramatic, teleportation sort of way. They just… were there. As if they had always been there and I had simply failed to notice them, which is arguably worse.
A man debating the moral implications of a banana state of maturation. A woman asking if the napkins were “emotionally sourced”. Someone paying entirely in coins with the deliberate pace of a person who had nowhere to be and intended to ensure that no one else did either.
By the time I reached the till, I had aged noticeably.
It wasn’t until later, after several similar incidents and one particularly harrowing experience at a post office, that I realised the common factor was me.
Which is, I think we can all agree, deeply on brand.
The first rule of the group is that you have to introduce yourself and your “ability” without irony.
This is, in practice, impossible, like asking someone to describe their most embarrassing childhood memory in a tone of dignified neutrality.
“Hello,” I said on my first night, clutching a packet of bourbons like a social shield. “I’m Eleanor, and I… extend queues.”
A pause followed.
Not a respectful pause. Not the kind that suggests thoughtful consideration or emotional resonance. The kind of pause usually reserved for when someone says something so profoundly awkward that the room collectively agrees to pretend it didn’t happen.
Then a man in a folding chair nodded with what I suspect he believed was solemn encouragement.
“Thank you, Eleanor,” he said. “Very brave.”
He introduced himself as Dr Malevo, which was already a warning sign, as anyone who gives themselves a villainous title has either delusions of grandeur or a deeply concerning relationship with Etsy.
Dr Malevo wore a suit that had aspirations of authority but settled for “probation officer at a school for gifted disappointments”. It was slightly too shiny in places, as if it had been ironed with enthusiasm but not competence. He had a clipboard, which he wielded with the quiet menace of someone who believed paperwork could conquer the world if given enough bullet points.
“Who’d like to go next?” he asked, scanning the room with the hopeful expression of a man trying to coax confessions out of a collection of particularly uncooperative houseplants.
A woman raised her hand.
“I’m Priya,” she said, with the crisp tone of someone who had accepted her fate and decided to bully it into submission. “I can make people’s socks slightly damp.”
Another pause. This one shorter, but no less loaded.
“Slightly damp?” Dr Malevo prompted, as though clarifying the parameters of a particularly niche crime.
“Yes,” Priya said. “Not wet enough to justify changing them. Just enough to make you aware of it. All day.”
I felt, despite myself, a flicker of respect.
“That’s diabolical,” I muttered.
“Thank you,” she said, as if I’d complimented her on a well-executed soufflé.
The group, as it transpired, was less a gathering of masterminds and more a catalogue of life’s minor irritations given human form.
To my left sat a young woman named Charlotte, who introduced herself as “White Noise”.
“I can produce a constant, high-pitched whining sound that no one can quite locate,” she explained. “It’s not loud enough to be obvious, just… present.”
“Like a mosquito in your soul,” Dr. Malevo observed .
She beamed. “Exactly. Or like when a light fixture is about to give up on life but hasn’t quite committed yet.”
“That’s oddly specific.”
“I used to work in an office,” she said darkly.
Next to her was a man who insisted on being called “The Latecomer”, which sounded impressive until he clarified.
“I can delay public transport by exactly fourteen minutes,” he said. “No more, no less.”
“Why fourteen?” Priya asked.
“I don’t know,” he snapped. “Why damp socks?”
“Fair point,” she conceded.
“Also,” he added, leaning forward slightly, “it’s the perfect amount. Too short to justify outrage. Too long to ignore. It erodes trust in the system.”
“I think the system manages that on its own,” I said.
Across the circle, a woman with the kind of exhausted expression usually seen on primary school teachers raised a hand.
“Gemma,” she said. “I ensure that there is always a crying child in any café where someone is attempting to relax.”
“Always?” I said.
“Always,” she confirmed. “If there isn’t one, I… provide.”
There was something deeply unsettling about the way she said that, like a weather system describing itself.
“And I don’t control the volume,” she added. “It’s just… maximum.”
“Of course it is,” The Latecomer said. “Wouldn’t want to undermine the brand.”
“It’s not about volume,” she said defensively. “It’s about persistence. People can tolerate loud. They can’t tolerate relentless.”
“That should be on a T-shirt,” Charlotte said.
By the time we reached the end of the circle, I had learned that:
– A man named Oliver could make your phone battery drop by exactly 7% at the moment you needed it most. He described this as “digital sabotage” and seemed unreasonably proud of it.
– A woman called Hannah could misplace any small object within a three-metre radius. “Not lost,” she clarified. “Just… wrong.”
– A man could make tea too hot to drink immediately, but not hot enough so you’d just put it down and go ahead with your day for a few minutes. Hot enough that you just stay there, blowing on it. He insisted in being called The Steepmaster, which nobody acknowledged in what I sensed was a shared instinct for self-preservation.
It was, collectively, the least threatening collection of individuals I had ever encountered, and I once attended a networking event for freelance copywriters, which featured a man who described himself as a “word disruptor”.
And yet, there was something… cohesive about it.
Not in the sense that we formed any kind of credible threat. More that we all occupied the same strange niche of existence: people who had been handed something extraordinary and found it resolutely determined to be underwhelming.
Dr Malevo, naturally, saw it differently.“What we have here,” he said, standing at the centre of the circle like a man addressing a very disappointing cult, “is potential.”
I glanced around the room at Priya, who was carefully aligning a biscuit on her knee with the focus of a neurosurgeon, and at The Latecomer, who was staring at the clock with the intensity of someone willing it to betray him.
“Is it?” I said.
“Yes,” he said firmly. “Individually, your abilities may seem… limited.”
“That’s a generous word,” Charlotte muttered.
“But together,” he continued, undeterred, “they represent something far more significant.”
“An inconvenience?” Gemma suggested.
“A force,” he said.
There was a silence.
Not the thoughtful kind. The kind where everyone is quietly deciding whether to humour the speaker or stage a coordinated escape.
“I mean,” Gemma said slowly, “we’re not exactly… blowing up buildings, are we?”
“Destruction is overrated,” Dr Malevo said. “Anyone can destroy. It’s crude. Inelegant. Temporary.”
“And making someone’s latte take longer is… elegant?” I asked.
“It’s insidious,” he corrected. “It accumulates.”
I opened my mouth to respond, but he raised a hand, clearly having rehearsed this moment in front of a mirror that had been less sceptical than we were.
“Consider,” he said, “the average person’s day. They wake up, already slightly annoyed. The alarm went off too early. The room was too cold. They stub their toe on the bedframe. They’re facing a work day.”
“I don’t do toes,” Priya said.
“It’s an example,” he snapped. “Then they leave the house. The bus is late.”
The Latecomer sat up slightly straighter, like a man being personally acknowledged by destiny.
“They arrive at a café, hoping for a moment of peace. There is a crying child.”
Gemma gave a small, satisfied nod.
“They queue longer than expected,” he continued, looking directly at me. “Their coffee is too hot to drink. Their phone battery drops unexpectedly. Their keys are missing.”
He paused, letting it settle, as though expecting a slow ripple of horrified understanding rather than the mild discomfort of people realising they were being used as a metaphor.
“What you create,” he said, “is not a single act of villainy. It is a day. A mood. A slow, relentless erosion of patience.”
I frowned.
It was, annoyingly, a compelling argument. The kind that sneaks up on you and sits down uninvited, like a guest who insists they’re “just popping in” and then starts rearranging your furniture.
“Right,” I said. “But to what end? Are we hoping someone eventually snaps and… what, declares war on a Caffe Nero?”
“Don’t be flippant,” he said.
“I’m not,” I said. “I’m genuinely asking what the goal is. Because at the moment, it sounds like we’re aiming to become the abstract concept of ‘a bit of a bad day’.”
There were a few snorts of laughter. Even Priya allowed herself a brief smile, which I chose to interpret as a personal victory.
Dr Malevo did not join in.
“The goal,” he said quietly, “is to understand the true nature of power.”
“Oh good,” Gemma muttered. “I was worried it might be something achievable.”
*
The meeting ended, as they always did, with a vague sense of anticlimax and a plate of untouched digestive biscuits that had achieved the remarkable feat of being both too dry and somehow slightly damp, which I suspect was Priya’s doing.
I lingered by the door, watching as the others drifted out into the evening, each carrying their particular brand of mild malevolence like a slightly embarrassing hobby.
Outside, it was drizzling in that persistent, half-hearted way that suggests the weather is trying to inconvenience you personally but lacks the commitment to see it through. The British way of raining.
Priya caught my eye.
“You don’t believe him,” she said.
“Do you?” I countered.
She considered this, adjusting the strap of her bag with the precision of someone who liked things to sit exactly where they were meant to.
“I think,” she said slowly, “that if I wanted to ruin someone’s day, I could.”
“You could ruin their socks,” I said.
“Socks are the foundation of the day,” she said firmly. “Everything else builds from there.”
I stared at her.
“You’ve thought about this far too much.”
“Have you ever tried to ignore damp socks?” she said. “It’s impossible. It’s like your feet are quietly judging you.”
“I’ll take your word for it,” I said.
She smiled faintly.
“Come next week,” she said. “Even if it’s ridiculous.”
“It is ridiculous,” I said.
“Yes,” she agreed. “But it’s ours.”
*
I did go back the next week.
And the week after that.
Not because I believed in Dr Malevo’s grand vision, or because I thought we were on the brink of becoming anything resembling a credible threat.
But because, in a world full of people who either took themselves far too seriously or not seriously enough, there was something oddly comforting about a group that sat firmly in the middle, armed with powers that couldn’t quite justify their own existence.
It was, I told myself, purely observational.
A study in absurdity.
A way to pass the time.
It had absolutely nothing to do with the fact that, for the first time since discovering my thoroughly pointless ability, I didn’t feel entirely alone in it.
Which, in hindsight, should have been my first warning sign.
Because the thing about small annoyances—the truly insidious thing—is that they don’t stay small.
They build.
Quietly. Patiently.
Like a queue that keeps getting longer when no one is quite sure why.
Until one day, you look up and realise that what you thought was a collection of trivial irritations has become something else entirely.
Something… coordinated.
Something deliberate.
Something that, if you were feeling particularly dramatic, you might even call a plan.
Part 2: Practice makes mildly catastrophic
If there’s one thing worse than discovering you possess a useless superpower, it’s discovering other people are taking it seriously.
This became apparent on my fourth Thursday, when Dr Malevo arrived with a flip chart.
Not a whiteboard. Not a projector. A flip chart.
There is something uniquely threatening about a grown adult with a flip chart. It suggests planning. Intent. A willingness to commit ideas to paper in large, confident handwriting that cannot easily be erased or quietly disowned.
“Tonight,” he announced, with the air of a man unveiling a bold new initiative that would almost certainly end in paperwork, “we begin practical exercises.”
There was a collective shift in the room. Not excitement, exactly. More the subdued dread of people who had signed up for something ironic and were now being asked to participate sincerely.
“What sort of exercises?” Charlotte asked.
“Synergy,” he said, writing the word on the flip chart in thick, uncompromising strokes.
“I already don’t like it,” I said.
“You don’t have to like it,” he replied. “You simply have to engage with it.”
“That’s what people say about tax returns,” I muttered.
He ignored me, which I was beginning to suspect was less a sign of patience and more a survival mechanism.
“Up until now,” he continued, “you have all been operating in isolation. Small, disconnected acts of inconvenience. But what happens when those acts are… coordinated?”
“We mildly irritate someone slightly faster?” Oliver suggested.
“Or we create,” Dr Malevo said, turning dramatically to face us, “an experience.”
There was that word again. Experience. As if we were about to open a themed attraction called
‘A Bit of a Nuisance Land’.
“Right,” I said. “And who exactly is volunteering to be… experienced?”
Dr Malevo smiled.
“No one volunteers,” he said. “We observe.”
*
The plan, such as it was, involved a café.
Not a specific café.
Just “a café”, which in London is rather like saying “a pigeon”: there are so many that targeting one feels less like a decision and more like a statistical inevitability.
We gathered outside a place that described itself as “artisanal” and charged accordingly. It had exposed brick, mismatched furniture, and a menu that treated the word “sandwich” like a personal insult.
“This is ridiculous,” Charlotte said, standing on the pavement with the rest of us as if we were about to commit a very low-stakes heist.
“Focus,” Dr Malevo said. “This is a controlled test.”
“Of what?” she asked. “Our ability to loiter suspiciously?”
“Timing,” he said. “Sequence. Interaction.”
He pointed at Gemma.
“You go in first.”
She nodded, like a soldier accepting a deeply unimpressive mission, and disappeared inside.
“Now we wait,” he said.
“For what?” The Latecomer asked.
“For the right moment.”
“Which is defined as…?”
“You’ll know,” Dr Malevo said, which is never reassuring.
*
We did not, in fact, know.
What we did know, after approximately three minutes, was that The Latecomer was becoming visibly agitated.
“I could be doing something,” he said, pacing slightly. “There are buses out there. Trains. Entire transport networks functioning with unacceptable efficiency.”
“Try to contain yourself,” I said. “The city might survive without your intervention.”
“It won’t,” he said darkly. “That’s the problem.”
Before I could respond, Dr Malevo raised a hand.
“Now,” he said.
This, apparently, was our cue.
“Eleanor,” he said, pointing at me. “Inside. Join the queue.”
“Thrilling,” I said, but went in anyway.
*
The café was exactly what you’d expect: warm, crowded, and filled with people who looked like they had opinions about coffee that would be exhausting to hear.
Gemma was already in place, sitting near the window with a cup she clearly wasn’t drinking, her expression one of quiet concentration.
I joined the queue.
There were four people ahead of me.
Five, once I’d fully committed to standing there.
Then six.
I felt it happen, not as a dramatic surge of power, but as a subtle shift, like reality had shrugged and decided to be slightly more inconvenient.
A man appeared in front of me, already mid-conversation with the barista about the artist vision of whatever the cafe had hanging on its walls. A woman behind him began asking about gluten in a tone that suggested she would not be satisfied with any answer that didn’t involve a personal apology from the wheat itself.
I exhaled slowly.
“All right,” I muttered. “Let’s see what happens.”
*
It started small.
It always does.
The queue slowed, not dramatically, but enough that people began to notice. Not consciously at first. Just a slight tightening around the eyes. A shift of weight from one foot to the other.
Then Gemma’s contribution kicked in.
At first, it was just a sound —a faint, distant wail. Easy to ignore. The kind of noise you assume belongs to someone else’s problem.
Then it got louder.
And closer.
I turned my head slightly.
A child had appeared at a nearby table, red-faced and furious, producing a noise that could only be described as an auditory assault.
The parents looked exhausted. Defeated. As though they had accepted that this was their life now and resistance was futile. They might as well make everyone else miserable, as well.
“Right on schedule,” I murmured.
The man in front of me shifted again, glancing over his shoulder with the strained smile of someone trying very hard not to engage with the situation.
Then Charlotte stepped in.
Not physically. Audibly.
It’s difficult to describe White Noise’s effect, because that’s rather the point. It wasn’t loud. It wasn’t even clearly identifiable. Just a high-pitched, persistent whine that slipped into the background and refused to leave. In the few moments when the child stopped for breath, with your soul gasping for that half a second of truce, there it was.
The sort of sound that makes you question your own sanity.
I saw it register.
Subtle, at first. A slight frown. A distracted glance at the ceiling, as if the answer might be written there in faint, irritating frequencies.
The queue slowed further.
*
By the time Priya joined, it had become something else.
Not chaos. Not yet.
But tension.
You could feel it in the room. The collective awareness that something was slightly off, without any clear explanation as to what.
Priya walked past me without a word, her expression focused.
A moment later, I saw the effects ripple.
A woman near the counter shifted uncomfortably, adjusting her stance. Then again. Her foot tapped against the floor in a way that suggested she was trying, and failing, to ignore something.
Another person frowned, glancing down at their shoes with vague suspicion.
It spread.
Not dramatically. Not visibly enough to draw attention.
Just enough.
*
And then, of course, there was Oliver.
The man in front of me pulled out his phone, glanced at it, and sighed.
“Seven percent?” he muttered. “I just charged this.”
I almost laughed.
Almost.
Because at that moment, something clicked.
Not in the room.
In my head.
Dr Malevo had been right.
Not about the grand, sweeping idea of power, or whatever nonsense he’d been rehearsing in front of his mirror.
But about the accumulation.
Individually, these things were nothing.
A longer queue. A crying child. A faint noise. Slightly damp socks. A phone battery dipping at an inconvenient moment.
Together—I looked around.
The man at the counter was now arguing quietly with the barista about something that didn’t matter. The woman behind me huffed audibly. Someone dropped a spoon, and the sound seemed to linger just a fraction too long.
It wasn’t chaos.
It was worse.
It was sensory overload.
It was irritation.
Pure, concentrated, inescapable irritation.
*
I stepped out of the queue.
Not dramatically. Just… stepped away, as if I’d forgotten something important and couldn’t quite remember what it was.
Outside, the others were waiting.
“Well?” Dr Malevo asked.
I hesitated.
“It worked,” I said.
There was a flicker of satisfaction in his expression. Not triumph. Something quieter. More controlled.
“Describe it.”
I searched for the right words.
“It’s like…” I paused. “It’s like watching someone’s day go wrong in real time, but nothing is actually happening.”
He nodded.
“Precisely.”
“No,” I said. “Not precisely. That’s the problem. It’s not enough to be something. It’s just… everything slightly worse than it should be.”
“And how did that feel?” he asked.
I frowned.
“Uncomfortable,” I said.
“Good,” he replied.
“That’s not a good thing,” I said.
“For you,” he said. “No. But for our purposes—”
“Our purposes,” I repeated. “We’re doing this with a purpose in mind, aren’twe?”
He didn’t answer immediately.
Which, in itself, was an answer.
*
We ran the exercise again the following week.
And the week after that.
Different locations. Different combinations.
A supermarket, where Hannah’s ability turned the simple act of shopping into a low-level scavenger hunt of misplaced items and rising frustration.
A train platform, where The Latecomer’s precise delays stacked with my queues and Oliver’s battery interference to produce a crowd that shifted from mildly annoyed to quietly hostile.
Each time, the same result.
Not disaster.
Not even anything you could point to and say, “There. That’s wrong.”
Just… a day going badly.
Over and over again.
*
It was after the third “test” that I started noticing something else.Patterns.Not in the chaos, but in the way Dr Malevo observed it.
He wasn’t just watching.
He was tracking.
Timing.
Taking notes on that ever-present clipboard, his pen moving with a precision that suggested this wasn’t improvisation.
This was data.
“Enjoying yourself?” Oliver asked one evening, as we stood outside a supermarket watching a man stare at an empty shelf where his preferred brand of pasta had been until approximately thirty seconds ago.
“I find it… illuminating,” he said.
“That’s one word for it,” Oliver said. “Personally, I’d go with ‘deeply petty’.”
He smiled faintly.
“You’re beginning to see it, aren’t you?”
“See what?”
“The potential.”
Oliver shook his head.
“No,” he said. “I’m beginning to see that you’ve put far more thought into this than is healthy for any adult.”
“Healthy is overrated,” he said.
“That’s reassuring,” replied Oliver.
*
On the way home, I couldn’t quite shake the feeling.
Not guilt, exactly.
We weren’t hurting anyone. Not really.
We weren’t breaking anything. Not permanently.
We were just… nudging.
Pushing.
Making things slightly worse.
But that was the problem.
It was easy.
Too easy.
And it worked.
Which meant that, at some point, someone was going to ask the obvious question.
Not “can we do this?”
But “How far can we take it?”
The answer, I suspected, was not going to be comforting.
Part 3: Scaling up poor decisions
There is a particular kind of bad idea that doesn’t announce itself as such.
It doesn’t arrive with ominous music or a sense of impending doom. It doesn’t even feel especially reckless at the time. It just sort of… happens. A logical next step that seems reasonable enough until you stop and examine it, at which point it reveals itself to be the narrative equivalent of stepping onto a rake and acting surprised when it hits you in the face.
Scaling up, it turns out, is one of those ideas.
“We need a larger sample size,” Dr Malevo said, tapping his pen against the clipboard with the quiet confidence of a man who had never once been told to stop.
“Of what?” I asked. “People having a slightly worse day than usual?”
“Of interaction,” he said. “Complexity. Density.”
“You want more people,” Priya translated.
“Yes.”
“In one place.”
“Yes.”
“Experiencing us.”
“Yes.”
We stared at him.
“Have you considered,” Charlotte said slowly, “that this is how most terrible plans in history begins?”
He smiled.
“I would argue that most terrible plans lack this level of nuance.”
“You’re planning to mildly annoy a large number of people at once,” I said. “I don’t think nuance is the issue.”
*
The location, inevitably, was a train station.
Not one of the charming, almost quaint ones where people still say “cheers” and “ta” when you hold a door open. No, this was a proper station. The sort with echoing announcements, flickering departure boards, and a general atmosphere of collective resignation.
“It’s perfect,” The Latecomer said, looking around with something approaching reverence. “So many variables.”
“Most people would call that ‘too many variables’,” Hannah said.
“That’s because most people lack vision,” he replied.
“You delay trains by fourteen minutes,” Hannah said. “Let’s not get carried away.”
*
The plan, once again, relied heavily on Dr Malevo’s favourite concept: synergy.
“Timing is critical,” he said, as we stood near the entrance pretending not to be a loosely organised inconvenience syndicate. “We don’t want immediate disruption. We want escalation.”
“Of course we do,” I said. “Wouldn’t want to rush the disappointment.”
He ignored me.
“Latecomer,” he said, “you’ll initiate.”
The Latecomer nodded, already looking like a man about to fulfil his life’s purpose in the most underwhelming way imaginable.
“Fourteen minutes,” he murmured. “Just enough.”
“Then we layer,” Dr Malevo continued. “Eleanor, queues. Gemma, café area. Charlotte, maintain background pressure. Priya—”
“Socks,” Priya said, with quiet certainty.
“Yes,” he said. “Socks.”
“I cannot believe this is a sentence I’m hearing,” Oliver muttered.
*
It began, as these things always do, with something that no one could quite pinpoint.
A delay.
Fourteen minutes on the departure board.
Not unusual. Not even noteworthy. The sort of thing people glance at, sigh about, and immediately begin recalculating their expectations around.
Then another.
And another.
Not the same train. Different ones. Scattered. Just enough to create a subtle shift in the rhythm of the place.
People slowed.
Paused.
Looked up more often than they normally would.
Then I stepped in.
*
Queues, in a train station, are a delicate ecosystem.
They form organically —little clusters of patience and resignation around ticket machines, coffee kiosks, turnstiles, and information desks. They move, slowly but steadily, governed by an unspoken agreement that everyone will endure the process with minimal fuss.
Until something interferes.
I didn’t need to do much.
Just… exist.
A queue at a ticket machine stretched a little further than expected. A second machine developed an inexplicable backlog. Someone stepped in front of someone else without quite meaning to, creating that uniquely British tension where no one says anything, but everyone thinks very loudly.
It spread.
Like a rumour no one could quite trace back to its source.
*
Gemma’s contribution was almost immediate.
The station café, which had been operating at its usual level of mild chaos, suddenly gained a soundtrack.
At first, it was just one child.
Then another.
Not in the same place. Not obviously connected. Just… present.
A wail here. A shriek there. The kind of noise that slips under your skin and settles in, refusing to be ignored.
I watched a man try to sip his coffee while a child behind him reached a pitch that could probably interfere with satellite communications.
He lasted about thirty seconds before giving up and staring into the middle distance like a man reconsidering his life choices.
Meanwhile, The Steepmaster made sure that his coffee was just too hot.
*
Charlotte’s White Noise filled in the gaps.
Not noticeable enough to be identified. Not loud enough to be addressed.
Just there.
A constant, high-pitched suggestion that something was wrong, even if you couldn’t quite say what.
People frowned.
Rubbed their ears.
Checked their phones as if the answer might be hidden in the settings.
It wasn’t.
*
Priya moved through the crowd with quiet efficiency.
There was no visible effect, no dramatic moment of activation.
Just a gradual shift.
People adjusting their stance. Shifting their weight. Frowning down at their shoes with vague suspicion.
A woman removed one foot from her trainer, inspected her sock, and then —after a moment’s hesitation— put it back on again, as if unwilling to commit to the level of inconvenience required to fix the problem.
“That’s the sweet spot,” Priya had said once. “Too small to solve. Too big to ignore.”
I was starting to understand what she meant. I didn’t like her zealot tone, though.
And then, of course, there was Oliver.
Phones came out.
Screens lit up.
And one by one…
“Seven percent?” someone said.
“Are you kidding me?” said another.
“I just charged this,” a third muttered, with the weary disbelief of someone who had been betrayed by something they trusted.
It wasn’t dramatic.
No one panicked.
But the effect was cumulative.
Like everything else we did.
At first, it was just irritation.
A slow, steady build.
People checking the boards more frequently. Glancing at their watches. Sighing.
Then it shifted.
Not suddenly. Not dramatically.
Just… enough.
A man at a ticket machine swore under his breath when it failed to accept his card. A woman snapped at someone who got too close in the queue. A child’s crying escalated, feeding off the tension around it like a feedback loop of frustration.
I felt it.
Not as a power. Not as something I was doing.
As something I was part of.
I stepped back, moving towards the edge of the crowd.
From there, I could see it more clearly.
The pattern.
It wasn’t chaos.
It wasn’t even disorder.
It was a system under pressure.
Every small inconvenience adding to the next, creating a weight that no single person could quite articulate, but everyone could feel.
A man bumped into someone and didn’t apologise.
That, more than anything, was the moment I realised we might have gone too far.
I found Dr Malevo near the entrance, watching.
Not participating. Not engaging.
Observing.
“Well?” he said, without looking at me.
I hesitated.
“It’s working,” I said.
“Yes,” he said.
“That’s not necessarily a good thing,” I added.
“That depends on your perspective.”
I folded my arms.
“From the perspective of the people in there, I imagine it’s not ideal.”
“They will recover,” he said. “Nothing here is permanent.”
“That’s not the point,” I said.
“Isn’t it?” he replied.
I looked back at the crowd.
At the queues that moved just slowly enough to be painful. At the faces that had shifted from neutral to strained. At the small, barely noticeable moments of friction that were beginning to add up.
“It feels like more than it should,” I said.
He nodded.
“Exactly.”
The breaking point, when it came, was almost disappointingly mundane.
A train was announced.
Delayed, of course.
Fourteen minutes.
People moved towards the platform anyway, because hope, like irritation, is remarkably persistent.
The queue formed.
I felt it stretch.
Longer. Slower.
Someone tried to push past.
Someone else objected.
Voices were raised.
Not shouting. Not yet.
Just… sharper.
More brittle.
And then—
A suitcase wheel caught on something and tipped.
It wasn’t dramatic. It didn’t even make much noise.
But it was enough.
The man who owned the suitcase snapped.
Not violently. Not dangerously.
He just… lost patience.
“Can we just—” he started, his voice tight. “Can we just move?”
No one moved.
Of course they didn’t.
Because everyone was already trying to move, and the system wasn’t allowing it.
The queue stalled.
The crying continued.
The noise persisted.
And for a brief, uncomfortable moment, the entire platform seemed to hold its breath, as if deciding collectively whether to escalate or endure.
I stepped away.
Not because I had to.
Because I wanted to.
Because, suddenly, it didn’t feel like a joke anymore.
Outside, the air felt different.
Cleaner.
Quieter.
Less… pressured.
The others drifted out one by one, their expressions varying from thoughtful to quietly satisfied.
“That was… effective,” Charlotte said.
“Very,” Oliver agreed.
“No one got hurt,” Gemma added, as if that settled the matter.
Priya said nothing, but there was a certain calm confidence in her posture that suggested she considered this a job well done.
I looked at Dr Malevo.
“This is what you wanted,” I said.
“Yes,” he replied simply.
“And now what?” I asked.
He smiled.
Not broadly. Not triumphantly.
Just enough.
“Now,” he said, “we refine.”
*
On the way home, I found myself watching people more closely.
Not in a suspicious way.
Just noticing.
The small things.
A man sighing as he checked his phone. A woman frowning at a bus that was, presumably, fourteen minutes late. Someone shifting uncomfortably in their shoes.
It was everywhere.
Not us.
Not always.
But the same pattern.
The same accumulation.
And that was the unsettling part.
We weren’t creating something new.
We were amplifying something that already existed.
*
The question, I realised, wasn’t whether we could make things worse.
We clearly could.
The question was: At what point does “slightly worse” become something else entirely?
I had a feeling we were going to find out.
Part 4: The plan, unfortunately
There is a very specific moment when a bad idea stops being hypothetical and becomes a plan.
It’s not when someone suggests it. Suggestions are harmless. People suggest all sorts of things: starting podcasts, running marathons, reorganising their lives around colour-coded spreadsheets. Most of these ideas die quietly, as they should, suffocated by reality and a basic lack of follow-through.
No, the moment comes when someone brings a printed document.
Dr Malevo brought several.
“I’ve taken the liberty,” he said, distributing stapled sheets with the solemnity of a man unveiling a manifesto rather than what appeared to be a collection of bullet points and deeply concerning headings, “of outlining a coordinated strategy.”
I stared at the paper in my hands.
At the top, in bold, was the title:
PHASE THREE: ENVIRONMENTAL SATURATION
“I don’t like the word ‘saturation’,” Hannah said.
“It’s accurate,” he replied.
“It sounds moist,” Charlotte added.
“That’s because you’re thinking about socks,” I said.
Priya, who was already reading ahead with the focused intensity of someone revising for an exam in petty cruelty, did not look up.
*
The document, such as it was, outlined a plan that can only be described as thoroughly unnecessary.
“This is ridiculous,” I said, flipping through pages that included phrases like ‘cumulative irritation thresholds’ and ‘distributed nuisance modelling’.
“It’s comprehensive,” Dr Malevo corrected.
“It’s laminated,” I said. “You’ve laminated parts of it.”
“Only the key sections.”
“Why are there key sections?” I demanded.
“Because this is important,” he said.
“That’s exactly what worries me.”
*
The core idea was simple.
Which, in my experience, is always where the problems begin.
“We scale,” Dr Malevo said, tapping the document. “Not just in size, but in precision.”
“We’ve already scaled,” Oliver said. “We annoyed an entire train station. I think we’ve reached the natural limit of what can reasonably be described as ‘a bit irritating’.”
“That was a test,” he said. “This is application.”
“To what?” The Steepmaster said.
Dr Malevo smiled.
“To a system.”
I felt a familiar, unwelcome sensation.
The creeping awareness that someone else’s idea was about to become my problem.
“The modern world,” Dr Malevo began, pacing slowly in front of the circle, “is a delicate balance of tolerances.”
“No one has ever described it like that,” The Latecomer commented.
“They should,” was the reply. “People endure a constant stream of minor inconveniences. Delays. Discomforts. Irritations. Each one manageable in isolation.”
“Yes,” I said. “That’s called ‘living’.”
“But what happens,” he continued, “when those tolerances are exceeded?” we didn’t answer.
Partly because we knew he was going to anyway, and partly because we had the distinct feeling we weren’t going to like it.
“They break,” he said.
“People get annoyed,” Gemma said. “We’ve established this. It’s hardly revolutionary.”
“Not annoyed,” he said. “Overloaded.”
He tapped the document again.
“We create a day,” he said.
There it was again.
A day.
Not an event. Not an incident.
A day.
I hated how much sense that made.
“The target,” he continued, “is a retail environment.”
“Of course it is,” Charlotte muttered.
“High density. High expectation. Low tolerance for disruption.”
“You’ve just described every shop in existence.”
“Precisely.”
He pointed to a page.
“Specifically, a large shopping centre. Multiple entry points. Layered services. Opportunities for interaction at every level.”
I scanned the page.
There were diagrams.
Actual diagrams.
“You’ve drawn arrows,” I said.
“They indicate flow.”
“They indicate that you’ve spent far too much time thinking about this.”
*
The plan, in summary, was this:
We would take everything we had learned —the timing, the layering, the interaction— and apply it simultaneously across a single, contained environment.
Not to cause panic.
Not to cause harm.
Just… to push.
Everywhere at once.
“This is a terrible idea,” I said.
“No,” Dr Malevo said calmly. “It’s an elegant one.”
“Those are not mutually exclusive,” I shot back.
*
The others, to my growing concern, were not immediately opposed.
“This could work,” Oliver said, scanning the document with interest. “If the battery drops are timed with peak usage—payments, navigation—”“—people would notice,” Charlotte added. “Not consciously. But they’d feel it.”
“I could cover multiple zones,” Gemma said thoughtfully. “Entrances, cafés, seating areas—”
“—socks are universal,” Priya said, as if this settled the matter entirely.
I looked around the room.
“You’re all taking this seriously,” I said.
There was a pause.
“Yes,” The Latecomer said.
“Why?” I asked.
He frowned.
“Because we can,” he said.
That, more than anything, was the problem.
Not the plan.
Not the scale.
The fact that, for the first time, we weren’t laughing.
The location, when it was revealed, was depressingly predictable.
A large shopping centre on a Saturday.
“It’s the worst possible time,” The Steepmaster said, like Christmas had come early.
“Exactly,” Dr Malevo replied.
“People go there willingly,” I said. “They’re already suffering. This feels excessive.”
“We’re not creating suffering,” he said. “We’re revealing it.”
*
The preparation was, in a word, ridiculous.
We had roles.
Zones.
Timings.
There was, at one point, a discussion about “optimal entry vectors”, which I chose to ignore on the grounds that acknowledging it would make it real.
“Remember,” Dr Malevo said, as we stood outside the centre on the appointed day, “this is not about any single action. It’s about the cumulative effect.”
“Yes,” I said. “You’ve mentioned. Repeatedly. At length.”
“Stay in your areas. Maintain consistency. Observe.”
“Observe what?” Hannah asked.
“The result,” he said.
Inside, it was exactly what you’d expect.
Crowded. Noisy. Alive with the particular energy of people who had chosen to spend their weekend navigating shops they didn’t need in search of things they didn’t want at prices they didn’t agree with.
In other words, the perfect environment.
I took my position near a cluster of popular shops, where queues formed naturally and frequently.
It didn’t take much.
It never did.
A queue at a clothing shop stretched slightly further than it should. A second till opened, but somehow didn’t alleviate the pressure. People shifted, sighed, checked their watches.
Across the floor, I could see the others moving into place.
Gemma near a café.
Charlotte drifting through the central area.
Priya—everywhere, in her own quiet way.
It began.
Not with a bang.
With a sigh.
*
A child started crying.
Then another.
Not close enough to be connected. Not far enough to be ignored.
The noise settled into the background, persistent and unavoidable.
Charlotte’s White Noise slipped in alongside it, filling the gaps, creating a subtle tension that no one could quite identify.
Phones came out.
Screens lit up.
“Seven percent?” someone said.
“This mobile’s rubbish,” said another.
Queues slowed.
Not dramatically.
Just enough.
I moved slightly, letting my presence stretch the line further.
A woman behind me huffed.
A man in front checked his watch for the third time in under a minute.
Somewhere, something fell.
Somewhere else, someone swore under their breath.
It was working.
Of course it was working.
That was the problem.
I walked through the centre, watching it unfold.
Not chaos.
Not panic.
Just friction.
Everywhere.
People stopping, starting, adjusting.
Small moments of irritation stacking on top of each other, creating a weight that no single moment justified, but all of them together sustained.
A man abandoned a queue entirely, muttering something about “not worth it”.
A woman snapped at her partner over something trivial.
A child’s crying escalated, feeding off the tension around it.
It spread.
Quietly.
Efficiently.
Exactly as planned.
I found Dr Malevo on an upper level, looking down.
He wasn’t smiling.
That was the unsettling part.
He looked… satisfied.
“You see it,” he said, as I approached.
I didn’t answer immediately.
Because I did.
“I see people having a bad day,” I said.
“Yes,” he said.
“On purpose,” I added.
“Yes.”
I folded my arms.
“And this is… what? A success?”
“It’s a demonstration,” he said.
“Of what?”He turned to look at me.
“Of scale.”
I looked down at the crowd again.
At the queues that didn’t quite move.
At the faces that had shifted from neutral to strained.
At the small, constant adjustments people were making without even realising why.
“It’s still small,” I said.
“Individually,” he agreed.
“But together…”
“Yes,” he said.
There was a moment.
A brief, quiet pause in the noise.
Not silence.
Just a shift.
And in that moment, I realised something.
This wasn’t the plan.
This was the proof.-
“What happens next?” I asked.
He smiled.
This time, properly.
“Now,” he said, “we apply it properly.”
I stared at him.
“You mean this wasn’t ‘proper’?”
“This,” he said, gesturing to the centre below, “is a model.”
“A model of what?”
“Of what happens when we stop thinking small.”
I felt something tighten in my chest.
“We’re already not thinking small,” I said. “We’ve just mildly ruined a shopping centre.”
“And no one will remember it,” he said. “Not specifically. Not clearly. Just… as a day that felt off.”
“That’s not reassuring,” I said.
“It should be,” he replied.
It wasn’t.
Because as I looked down at the crowd, at the subtle, pervasive irritation we had created, I realised something else.
Something worse.
We weren’t just affecting people.
We were blending in.
And that meant no one was going to stop us.
Part 5: The Day Everyone Was Slightly Worse
There is, it turns out, a point at which a bad idea becomes inevitable.
Not because it is good. Not because it is justified. But because enough people have committed to it that stopping would require more effort than continuing, and human beings, as a rule, are deeply committed to the path of least resistance, even when that path leads directly into a wall.
We had reached that point.
Also, sometimes it feels better to be a part of a bad a idea than to be a failure by yourself.
“This is it,” Dr Malevo said, standing in front of us with a level of calm that suggested either supreme confidence or a complete detachment from reality. Possibly both. “Full deployment.”
I rubbed my eyes.
“Please don’t call it that,” I said. “It sounds like we’re invading something.”
“We are,” he said.
I paused.
“…No, we’re not.”
“We’re intervening,” he corrected.
“That’s not better.”
*
The plan (because by now it had fully graduated from “bad idea” to “organised absurdity”) was simple in the way that all catastrophic ideas are simple.
We weren’t targeting a single location anymore.
We were targeting a day.
A whole city: wide, interconnected, perfectly ordinary day.
Transport. Shops. Cafés. Offices. Streets.
Anywhere people went.
Anywhere people expected things to function at a baseline level of tolerable efficiency.
“We distribute,” Dr Malevo said, gesturing at what I strongly suspected was a map he’d printed at home and annotated with alarming enthusiasm. “We maintain pressure across multiple environments simultaneously.”
“You’ve made zones,” Priya said.
“Yes.”
“You’ve colour-coded them.”
“Yes.”
“You’ve enjoyed this far too much.”
He didn’t deny it.
“Let’s be clear,” Charlotte said, looking around the group. “We are about to mildly inconvenience an entire city.”
“Yes,” Priya said.
“On purpose.”
“Yes.”
“For no tangible benefit.”
Priya considered this.
“Personal satisfaction,” she said.
“That is not a benefit,” Charlotte said.
“It is to me,” she replied.
*
The others, to my ongoing dismay, were fully on board.
Oliver was discussing “peak battery dependency windows” like a man who had finally found his calling and was disappointed it hadn’t come with a better title.
Charlotte was talking about “ambient saturation” in a tone that suggested she had been waiting her entire life to use that phrase unironically.
Gemma was simply nodding, as if the idea of unleashing a city-wide chorus of crying children was less a plan and more an inevitability she had accepted long ago.
The Latecomer looked… serene.
Which, given his personality, was deeply unsettling.
“Final question,” I said, raising a hand.
Dr Malevo nodded.
“What happens when it works?”
There was a pause.
Not a long one.
But long enough.
“Then,” he said, “we observe.”
Of course we did.
It started, as always, with something no one could quite identify.
A bus that was fourteen minutes late.
Then another.
Then a train.
Not all at once. Not in a pattern anyone could easily track.
Just enough.
People adjusted.
They always do.
They checked their watches. Recalculated routes. Sent messages explaining they’d be “just a bit late”, as if those three words had not quietly eroded all meaning over the past decade.
Queues followed.
They stretched, subtly, across the city.
Coffee shops. Post offices. Supermarkets.
Anywhere a line could form, it did. And then it lingered, just long enough to become noticeable.
Gemma’s work spread through cafés and waiting areas like a low-level storm.
A crying child here.
Another there.
Never enough to be remarkable.
Always enough to be present.
A background chorus of discontent.
Charlotte filled the gaps.
Her White Noise didn’t dominate.
It didn’t need to.
It simply existed, everywhere at once, a faint, persistent suggestion that something wasn’t quite right.
People frowned.
Rubbed their ears.
Checked their surroundings.
Found nothing.
Priya moved unseen, her influence subtle but pervasive.
Slight discomfort.
A constant awareness of something being off.
Feet shifting. Shoes being adjusted. Concentration fractured.
No one stopped to fix it.
That was the point.
Oliver’s contribution was, if anything, the most immediately noticeable.
Phones dipped.
Never dead.
Just low enough to matter.
Just enough to make people hesitate before using them.
Just enough to create that quiet, modern panic that comes from being slightly less connected than you’d like.
And me?I
walked.
Through streets, through shops, through stations.
Not doing anything dramatic.
Letting the queues form.
Letting them stretch.
Letting them linger.
At first, it was nothing.
Of course it was.
Just a day.
A normal, ordinary day where things weren’t quite working as well as they should.
People sighed.
Complained.
Moved on.
Then it built.
Nobody could point to it and say, “There. That’s where it started.”
Just gradually.
A man snapped at a barista over something trivial.
A woman argued with a stranger over queue etiquette.
Someone missed a train and reacted more strongly than the situation warranted.
Small things.
Always small.
But they added up.
By midday, you could feel it. In enough places.
A tension. A brittleness. The sense that people were operating at the very edge of their patience, with no clear reason why.
I found myself in a café at one point, standing in a queue that had no business being as long as it was.
In front of me, a man stared at the menu like it had personally offended him.
Behind me, someone sighed. Quietly, but constantly.
A child cried in the corner.
A phone buzzed, followed by a muttered, “Oh, come on.”
And for a moment —Just a moment— I saw it.
The whole thing.
As a system.
A network of tiny, interconnected irritations, feeding into each other, amplifying, reinforcing.
And it was working.
I stepped out.
I needed air.
Or distance.
Or something that felt less like being inside a very slow, very polite breakdown.
I found Dr Malevo in a park.
Because of course he was in a park.
Standing on a path, watching people walk past with the quiet satisfaction of a man who had successfully rearranged reality to his liking.
“Well?” he said.
I looked at him.
“At what point,” I asked, “does this stop being clever and start being… horrible?”
He tilted his head.
“Why would it need to be either?” he said.
“Because we’re doing this to people,” I said.
“People do this to themselves,” he replied. “We’re simply… aligning the variables.”
“That’s a very polite way of saying ‘making everything worse’.”
“Everything is already worse,” he said. “We’re just making it noticeable.”
I looked around.
At the park.
At the people.
Some were fine.
Of course, they were.
Not everyone was affected equally.
But enough were.
A couple arguing quietly on a bench.
A man pacing while staring at his phone.
Someone sitting very still, as if trying to wait out a feeling they couldn’t quite name.
“This doesn’t fix anything,” I said.
“It’s not meant to,” he replied.
“Then what’s the point?”
He smiled.
“To demonstrate.”
“Demonstrate what?” I said.
“That you don’t need grand gestures,” he said. “You don’t need destruction or spectacle. All you need is consistency.”
I frowned.
“Consistency?”
“A thousand small things,” he said. “Applied correctly.”
I thought about that.
About the day.
About everything we’d done.
And then I noticed something.
Something small.
But telling.
People weren’t reacting the same way anymore.
The man pacing with his phone stopped.
Took a breath.
Put it away.
The couple on the bench went quiet.
Not tense, just quiet.
The woman in the café earlier, the one who had sighed constantly, eventually just stopped.
Because they were adjusting.
I looked back at Dr Malevo.
“They’re adapting,” I said.
He followed my gaze.
And for the first time since I’d met him, he frowned.
“That’s not supposed to happen,” he said.
“Why not?” I asked.
“Because the pressure…”
“…stays the same,” I said. “But they don’t.”
We watched.
As the day continued.
As the irritation persisted.
And as people absorbed it.
Effectively, as ungracious though that looked.
*
By late afternoon, the edge had dulled.
The queues were still long.
The delays still present.
The crying still constant.
But the reactions… had changed.
People expected it.
They moved slower.
Planned less.
Reacted less.
A man whose phone dropped to seven percent didn’t swear.
He just nodded.
As if confirming something he already knew.
A woman in a queue didn’t sigh.
She just waited.
A child cried.
And no one even looked up.
I felt something cold settle in my chest.
“We did this,” I said.
Dr Malevo didn’t answer.
“We made it normal,” I said.
Because that was the problem.
Not that we had made things worse.
That we had made “worse” acceptable.
The day ended.
Of course it did.
Days always do.
*
We met again the following Thursday.
Same room.
Same smell.
Same sign on the door.
“Report,” Dr Malevo said.
No one spoke immediately.
“It worked,” Oliver said eventually.
“Yes,” Charlotte added. “But—”
“They adjusted,” Gemma finished.
Priya nodded.
“Faster than expected.”
I looked at Dr Malevo.
“Well?” I said.
He stood there for a moment.
Clipboard in hand.
Plan in pieces.
And then, slowly, he smiled.
-“Fascinating,” he said.
I stared at him.“You’re not disappointed?”
“On the contrary,” he said. “This proves the theory.”
“Which is?”
He looked around the room.
At all of us.
“That people will tolerate anything,” he said.
There was a pause.
“And what does that make us?” Priya asked.
He considered this.
“Obsolete,” he said.
And that was that.
*
We still meet.
Every Thursday.
Same room.
Same biscuits.
We still have our powers.
Of course we do.
But they don’t matter anymore.
Because the world caught up.
Queues are always longer than they should be.
Phones are always slightly too low.
Something is always missing.
Something is always too loud.
Too slow.
Too much.
We just helped it along.
And now, no one notices.
Which, I suppose, was the point.
If you’re feeling particularly dramatic, you might say we changed the world.
Whether it was for good it’s up for debate.
Personally, I think we just made it slightly worse.
And then everyone got used to it.
Which, in its own quiet, persistent way, it probably is the most effective villainy of all.
It began, as many regrettable things do, with good intentions and a pen that worked.
Ash (who would not have described himself as a systematic man, but would have agreed that he was a man who owned several systems, none of which spoke to each other) sat at his kitchen table on a Wednesday morning that had already developed a personality problem.
It was the sort of morning that implied productivity in the same way a cat implies ownership: silently, persistently, and with a faint air of judgment.
Ash, who had been meaning to get his life together for some time now, decided that today would be the day he began the process of eventually considering doing so.
He took out a piece of paper.
Not a good piece of paper, mind you. Not one of those thick, confident sheets that suggest important documents and signatures. This was a slightly crumpled, faintly apologetic sheet, previously part of something else, possibly a bill, possibly a warning.
He flattened it.
He picked up a pen.
The pen hesitated briefly, as if aware of its role in what was to come.
Ash wrote:
– Buy milk
– Reply to email
– Start project
He paused, chewing the end of the pen in the thoughtful way of a man who was not, strictly speaking, thinking.
Then, because one must always aim high, he added:
– Start self-improvement
He leaned back and regarded the list.
It regarded him back.
This is not, in itself, unusual.
Many lists possess a certain presence. A list is, after all, a collection of expectations in bullet-point form. It has weight. Gravity. The ability to sit quietly on a table and radiate mild disapproval.
Ash nodded.
“Yes,” he said, to no one in particular. “That seems reasonable.”
He stood up, with the vague intention of immediately doing at least one of the things, thereby establishing a pattern of productivity that could later be abandoned with justification.
He took four steps toward the kitchen.
He stopped.
Something was… not wrong, exactly. More like… rearranged.
He turned back.
The list now read:
– Buy milk
– Reply to email
– Start project
– Get life together
Ash frowned.
He walked back to the table.
He looked at the paper closely.
He turned it upside down, in case that would reveal anything. It did not, but it did make “Get life together” look more like a threat.
“Huh,” he said.
Ash was not a man who immediately leapt to conclusions. He preferred to walk briskly toward them while pretending to examine the scenery.
“I must have written it like that,” he decided.This is the sort of conclusion that makes life possible.
He nodded again, more firmly this time, and turned back toward the kitchen.
He reached the fridge.
He opened it.
He stared inside.
There was no milk.
There was, however, a jar of something that had once been hopeful and was now philosophical.
Arthur closed the fridge.
“Right,” he said. “Milk.”
He returned to the table to retrieve the list, because one must not embark on a task without documentation.
The list now read:
– Buy milk
– Reply to email
– Start project
– Get life together
– Stop wasting time
Ash blinked.
He looked at the pen.
He looked at the paper.
He looked at his own hands, which were doing nothing suspicious, unless you counted existing.
“I did not write that,” he said.
The list said nothing.
This was, in hindsight, its first tactical victory.
Ash picked up the paper.
The handwriting matched his own. Not exactly: there was a certain… firmness to it. A confidence. As if each letter had been written by someone who believed it deserved to exist.
Ash’s handwriting, by contrast, tended to apologise for itself midway through words.
“Stop wasting time,” he read aloud.
He considered this.
“I wasn’t wasting time,” he said.
The list, being a list, declined to engage in debate. Instead, it simply was.
Ash placed the paper back on the table.
“Right,” he said, in the tone of a man who has decided not to investigate something further because that would be inconvenient.
He picked up his phone.
He opened his email.
He stared at it.
There were twelve unread messages. One of them had the subject line: “Just following up”.
This is, of course, one of the more threatening phrases in the modern world. It implies that not only has something been left undone, but that it has developed awareness of this fact and is now pursuing you.
Ash sighed.
“Fine,” he said. “Email first.”
He sat down.
He began typing.
Behind him, unnoticed, the list shifted very slightly, like a cat adjusting itself into a more comfortable position from which to observe.
*
Ash spent the next twenty minutes composing a reply that managed to be both apologetic and non-committal, which is to say it achieved its primary objective of existing without resolving anything.
He hit send.
He sat back.
“There,” he said. “Done.”
He stood up, with the intention of rewarding himself with something small and unnecessary.
He took two steps toward the kitchen.
He stopped.
He turned.
The list now read:
– Buy milk
– Reply to email ✔
– Start project
– Get life together
– Stop wasting time
– Do not reward yourself yet
Ash stared at it.
“No,” he said.
The list did not respond.
“No,” Ash repeated, more firmly. “That is not how this works.”
He walked over and picked it up.
The checkmark next to “Reply to email” was neat. Satisfying. Slightly smug.
“I will reward myself,” Ash said, “because I have completed a task.”
The list remained silent, which, in this case, conveyed a level of skepticism that words could not have achieved.
Ash hesitated.
This is how it begins, in many cases: not with fear, but with a brief and entirely unreasonable hesitation in the face of inanimate disapproval.
“I am going to have a biscuit,” he said.
The list did nothing.
Ash waited.
He was not entirely sure what he expected. Possibly a rustling noise. A small dogear. A footnote.
Nothing happened.
“Good,” he said. “That settles that.”
He turned and walked to the kitchen.
He opened the cupboard.
He reached for the biscuits.
He paused.
There was a moment —brief, ridiculous, entirely avoidable— in which Ash Tanner considered whether or not a piece of paper in the other room might be disappointed in him.
And he strongly felt that it was.
He took the biscuit.
He ate it.
It was, under the circumstances, not nearly as satisfying as it should have been.
*
When Ash returned to the table, brushing crumbs from his shirt in the manner of a man attempting to erase evidence from history, he found that the list had grown.
– Buy milk
– Reply to email ✔
– Start project
– Get life together
– Stop wasting time
– Do not reward yourself yet
– That was unnecessary
Ash looked at the new line.
He read it again.
“That was unnecessary,” he said.
He glanced at the kitchen.
He glanced back at the list.
“It was a small biscuit,” he said. “A very small biscuit.”
The list, once again, declined to engage.
Ash sat down slowly.
He was beginning to feel, not fear exactly, but the early stages of a conversation he had not agreed to have.
“This is ridiculous,” he said.
The list remained a list.
Ash tapped the paper.
“This is just… this is just me,” he said. “This is my handwriting.”
The handwriting did not argue.
Ash leaned closer.
The ink was the same. The pressure was similar. But there was something about it—something decisive.
It was, Ash realised, the handwriting of someone who did not pause halfway through writing “project” to wonder what that meant.
Ash sat back.
He looked at the list.
The list looked like a list.
And yet.
And yet.
Ash picked up the pen.
“Fine,” he said. “If this is going to be a thing—”
He wrote, carefully:
– Ignore list
He put the pen down.
He folded his arms.
“There,” he said.
For a moment, nothing happened.
Then, slowly, with the quiet confidence of something that does not need to hurry, a new line appeared beneath it.
– No
Ash stared at it.
There are moments in life when the universe reveals itself not as vast or mysterious, but as deeply uncooperative.
Ash Tanner, who had intended to buy milk, found himself instead sitting at a table, staring at a piece of paper that had just disagreed with him.
He considered his options.
He considered them very briefly.
Then he said, “Right,” in the tone of a man who has just made a decision he will later describe as inevitable.
He picked up the list.
“I am going to buy milk,” he said. “And when I come back—”
He paused.
He looked at the paper.
“And when I come back,” he continued, “this will all have stopped.”
The list, which had already demonstrated a certain perspective on inevitability, remained silent.
Ash put on his coat.
He picked up his keys.
He left the flat.
The list stayed on the table.
For a moment, it did nothing.
Then, very neatly, it added:
– Buy milk (do not forget)
And, after a brief pause, as if for emphasis:
– Seriously
2
Ash returned from the shop with milk, a receipt, and a growing sense that he had made a series of decisions that, while individually defensible, had collectively formed a pattern best described as inadvisable.
The milk was cold. The air was cold. The idea that a piece of paper might be waiting for him at home with opinions was, somehow, colder still.
He let himself into the flat.
There are many ways to enter one’s own home. One can stride confidently, as if one owns the place. One can shuffle in apologetically, as if one has been invited but is not entirely sure by whom. Or one can do what Ash did, which was to open the door very slowly and peer inside, as though expecting the furniture to have rearranged itself into something accusatory.
Nothing had.
The chair remained a chair. The table remained a table. Everything was were he had left it.
A faint smell of something that had once been toast remained a philosophical question.
And there, on the table, lay the list.
Ash closed the door behind him.
“Right,” he said.
He placed the milk on the counter, deliberately, like a man demonstrating competence to an audience that had not asked for a demonstration.
He walked over to the table.
He looked at the list.
The list looked like this:
– Buy milk ✔
– Reply to email ✔
– Start project
– Get life together
– Stop wasting time
– Do not reward yourself yet
– That was unnecessary
– Ignore list
– No
– Buy milk (do not forget) ✔
– Seriously ✔
Ash stared at the bottom two lines.
“I did not—” he began, then stopped.
Of course he hadn’t forgotten the milk. The milk was right there. The list, however, had chosen to frame this as a victory, which felt… unfair.
“You don’t get to be right about things that I was going to do anyway,” Ash said.
The list, having been right about something that had already happened, did not feel compelled to negotiate this point.
Ash set his jaw.
“Fine,” he said. “That’s done. Now we move on.”
He picked up the pen.
He crossed out the last two lines with unnecessary force, the ink digging slightly into the paper as if to establish dominance.
“See?” he said. “I can do that. I can just—”
The lines reappeared.
Not dramatically. Not with a flourish. The lines Ash had used to cross them out slowly faded until they simply were no longer crossed out.
Ash froze.
There is a particular kind of silence that follows the realisation that the rules one assumed were in place are, in fact, optional.
Ash cleared his throat.
“Right,” he said again, which was beginning to lose some of its structural integrity as a phrase.
He sat down.
“Start project,” he read.
He nodded.
“Yes. Good. Normal. That’s a normal thing to do.”
He underlined it.
The list responded.
Beneath “Start project,” in that same firm, confident handwriting, new lines appeared:
– Start project
– Open laptop
– Do not open unrelated tabs
– Locate project files
– Do not become distracted
– Begin actual work
Ash leaned back slowly.
“That’s…” he said. “That’s excessive.”
He looked at the list.
The list looked organised.
There is something deeply persuasive about organisation. It suggests that things are under control, even when the things in question are actively developing personalities.
Ash tapped the pen against the table.
“I was going to open the laptop anyway,” he said.
The list did not argue.
It didn’t need to.
Ash hesitated, just for a moment.
Then he stood up, walked over to the sofa, and picked up his laptop.
“Fine,” he said. “We’ll do it your way.”
This, historically, has rarely been a reassuring sentence.
*
Ash opened the laptop.
The laptop opened several unrelated thoughts in response.
He sat back down at the table, positioning himself directly in front of the list, as if entering into a negotiation with an entity that had, thus far, refused to acknowledge the existence of negotiations.
“Open laptop,” he said.
He glanced at the list.
There was no checkmark.
“Right,” he said. “Because I haven’t—”
He closed the laptop.
He opened it again.
The list added a neat ✔ next to “Open laptop.”
Ash stared at it.
“That’s… very literal,” he said.
The list, once again, was correct.
Ash exhaled.
“Fine. Fine. We’re doing this.”
He moved to the next item.
“Do not open unrelated tabs.”
He paused.
He looked at the browser.
He looked at the list.
He looked back at the browser.
There is a moment, in every person’s life, when they become aware of the exact number of tabs they have open and realise that the number is not defensible in a court of law.
Ash had twelve.
One of them was an article titled “How to Focus Better in a Distracting World,” which he had opened four days ago and not read.
Another was a video paused halfway through, featuring a man explaining something with great enthusiasm and no clear conclusion.
Ash hovered the cursor over the tabs.
He glanced at the list.
“Define ‘unrelated,’” he said.
The list did not define it.
Ash nodded slowly.
“Right,” he said. “So we’re being vague now. That’s fine. I can work with vague.”
He closed one tab.
He waited.
Nothing happened.
He closed another.
Then other six.
The list added a checkmark.
– Do not open unrelated tabs ✔
Ash sat back.
“That’s not how that works,” he said. “I still have—”
He stopped.
He looked at the remaining tabs.
He looked at the list.
He closed the rest.
The checkmark remained.
Ash felt, very briefly, a sense of accomplishment.
It was immediately followed by suspicion.
*
“Locate project files,” Ash read.
“That’s reasonable,” he said.
He clicked through folders.
He found the files.
He opened them.
The list added another checkmark.
– Locate project files ✔
Ash nodded.
“Yes,” he said. “Good. Progress.”
He looked at the next item.
“Do not become distracted.”
He frowned.
“That’s not a task,” he said. “That’s a state.”
The list did not respond.
Ash stared at the screen.
He stared at the list.
He stared at the screen again.
For a moment, nothing happened.
Then his phone buzzed.
Ash glanced at it.
He froze.
Slowly, very slowly, he looked back at the list.
The words “Do not become distracted” had been underlined.
Twice.
Ash looked at his phone again.
It buzzed once more.
Ash turned it face down.
“Fine,” he said.
The list did not add a checkmark.
Ash waited.
“Fine,” he repeated.
He pushed the phone slightly further away.
The list added:
– Do not become distracted
– Ignore phone
Ash narrowed his eyes.
“You’re retroactively adding conditions,” he said.
The list, which had no interest in fairness as a concept, remained unmoved.
Ash sighed.
He picked up the phone.
He turned it off.
He placed it in another room.
He returned to the table.
The list added a checkmark.
– Do not become distracted ✔
Ash sat down.
He looked at the final subtask.
“Begin actual work.”
He nodded.
“Yes,” he said. “That’s the point.”
He placed his hands on the keyboard.
He began typing.
And, for a moment—just a moment—everything was fine.
*
Time passed.
Not a lot of time. Not enough to constitute a productive day. But enough to create the impression of one, which is often sufficient.
Ash typed.
He edited.
He made progress.
Real progress.
The kind of progress that, under normal circumstances, would have taken three hours, two cups of coffee, and a brief existential crisis involving the phrase “what am I doing with my life.”
Now, it took twenty minutes.
Ash stopped typing.
He sat back.
He looked at the screen.
He looked at the list.
The list added a final checkmark.
– Begin actual work ✔
Beneath it, a new line appeared:
– Continue
Ash stared at it.
“No,” he said, reflexively.
Then he paused.
He looked at the work he had done.
It was good.
Not perfect. Not revolutionary. But done, in a way that felt suspiciously efficient.
Ash looked back at the list.
“You helped,” he said.
The list did not respond.
Ash considered this.
There is a dangerous moment, in any arrangement with something unreasonable, when it proves useful.
Ash nodded slowly.
“Right,” he said. “Right.”
He picked up the pen.
He wrote:
– Take a short break
He underlined it.
He sat back.
“There,” he said. “Reasonable. Balanced.”
The list regarded the new item.
For a moment, nothing happened.
Then, beneath it, in that same firm, confident hand, appeared:
– Take a short break
– Define ‘short’
Ash closed his eyes.
“Fifteen minutes,” he said.The list added:
– Fifteen minutes. Do not extend.
Ash opened one eye.
“Twenty,” he said.
The list remained silent.
Ash waited.
The list did not change.
Ash exhaled.
“Fine,” he said. “Fifteen.”
A checkmark appeared next to “Define ‘short’.”
Ash leaned back in his chair.
He stared at the ceiling.
“This is fine,” he said.
The ceiling, which had seen many things and judged none of them, declined to comment.
*
In the quiet that followed, the list added one more line.
At the very bottom, beneath everything else, separate from the tasks and subtasks and small, precise victories, it wrote:
– Review overall performance (end of day)
Ash did not see this.
Not yet.
But it was there.
Waiting.
Organised.
Patient.
And, above all, very interested in how the rest of the day would go.
3
Fifteen minutes, as it turns out, is an extremely long time when one is aware —deeply, uncomfortably aware— that the concept of fifteen minutes has been formalised.
Ash sat on the sofa with the posture of a man attempting to relax under observation.
He was not, technically speaking, being observed.
This did not help.
He kept on relaxing stressfully.
There is something about a defined break that removes all of the casual, meandering qualities that make a break enjoyable. A break, when structured, ceases to be a break and becomes a task with better branding.
Ash stared at the television.
The television stared back, in the way that televisions do when they are off and reflecting a slightly distorted version of your life choices.
“I am relaxing,” Ash said.
He shifted slightly.
He placed one arm along the back of the sofa in what he hoped was a relaxed manner and what, to an impartial observer, would have looked like a man attempting to impersonate a relaxed person.
“I am definitely relaxing,” he added.
From the other room, the list did nothing.
Which, in this context, was worse than doing something.
Ash checked the time.
Four minutes had passed.
“Good,” he said. “Nearly a third.”
He adjusted his position again.
He considered turning the television on.
He considered that this might, in some way, be interpreted as extending the break.
He did not turn the television on.
He sat very still, like a man attempting to win a game called “Relaxation” by not making any sudden movements.
*
At precisely fifteen minutes, Ash stood up.
Not gradually. Not with the slow, reluctant movement of someone leaving comfort. But with the sharp, decisive motion of someone obeying a signal that had not, technically, been given.
“Done,” he said.
He walked back to the table.
He looked at the list.
The list had added a checkmark.
– Take a short break ✔
Beneath it:
– Resume work ✔
Ash frowned.
“I didn’t—” he began.
He looked at his own feet, which had already carried him back to the chair.
He looked at his hands, which were already reaching for the laptop.
“I suppose I did,” he said.
The list, as ever, was correct.
*
The next hour passed in a manner that could only be described as alarmingly productive.
Ash worked.
Not in the usual fragmented way, where tasks are approached, circled, and eventually abandoned like particularly suspicious puddles.
No, this was different.
This was direct.
Efficient.
Uncomfortable.
The list continued to expand its quiet influence.
When Ash hesitated, the relevant subtask would appear.
When Ash drifted, something would underline itself.
When Ash reached for his phone, a new line would materialise:
– Stay focused
And, when necessary:
– You are not staying focused
There is a peculiar power in being told something that is immediately, undeniably true.
Ash found himself complying.
Not because he wanted to.
Not even because he agreed.
But because the alternative —actively disagreeing with something that was, at that exact moment, correct— felt like an unnecessary complication.
By early afternoon, the “Start project” task had been thoroughly, methodically dismantled and completed.
The list reflected this.
– Start project ✔
Ash stared at it.
He felt… something.
It wasn’t pride. Pride implies ownership.
This was more like… relief.
Or perhaps the absence of a particular kind of low-level guilt.
He sat back.“Well,” he said. “That’s done.”
The list added:
– Acknowledge completion ✔
Ash blinked.
“I just did,” he said.
The list did not argue.
It simply recorded.
*
There was a pause.
A small, fragile pause, in which nothing new had yet been added.
Ash leaned back in his chair.
He allowed himself a moment of cautious optimism.
“This might be manageable,” he said.
And then, beneath the completed tasks, the list began to grow.
Not in the scattered, reactive way it had before.
No.
This was structured.
Headings appeared.
Clear. Organised. Hierarchical.
CURRENT STATUS
Tasks completed: 3
Tasks pending: 2
Efficiency: Acceptable
Ash stared at this.
“Acceptable,” he said.
He considered the morning.
He considered the speed, the focus, the fact that he had not, at any point, watched a video about something unrelated to his own life.
“Acceptable?” he repeated.
The list did not elaborate.
Beneath the status section, another heading appeared.
AREAS FOR IMPROVEMENT
Tendency to negotiate with tasks
Unnecessary biscuit consumption
Resistance to structure
Ash leaned forward slowly.
“I do not have a tendency to negotiate with tasks,” he said.
He paused.
He thought about this.
“…I occasionally discuss options,” he amended.
The list remained firm in its assessment.
Ash looked at the second point.
“Unnecessary biscuit consumption,” he read.
“That was one biscuit,” he said. “One.”
The list did not respond.
Ash pointed at it.
“It was a small biscuit,” he said.
The list did not adjust its metrics.
Ash leaned back.
“This is—” he began, then stopped.
This was, he realised, a review.
A performance review.
He looked down.
At the very bottom of the page, just as promised, was the line he had not noticed before:
– Review overall performance (end of day)
Ash swallowed.
“It’s not the end of the day,” he said.
The list added:
– Preliminary assessment
Ash stared at it.
“I did not agree to a preliminary assessment,” he said.
The list, which had not asked, continued.
RECOMMENDATIONS
Reduce friction in task initiation
Eliminate non-essential activities
Increase compliance
Ash sat very still.
There are moments when language, perfectly ordinary language, arranges itself into something deeply unsettling.
“Increase compliance,” he read.
He looked at the pen.
He looked at the list.
He looked at his own hands.
“I am not… non-compliant,” he said.
The list added a small, neat sub-point:
– Evidence suggests otherwise
Ash felt, for the first time, a flicker of something sharper than discomfort.
“Right,” he said.
He picked up the pen.
He wrote, firmly:
– Disagree with assessment
He underlined it.
He sat back.
“There,” he said. “That’s logged.”
The list regarded the new entry.
For a moment, nothing happened.
Then:
– Disagree with assessment ✔
Beneath it:
Disagreement noted. No change required.
Ash stared at this.
He opened his mouth.
He closed it.
He opened it again.
“That is not how disagreement works,” he said.
The list, having processed the disagreement, moved on.
A new section appeared.
NEXT ACTIONS
Continue working
Address pending tasks
Maintain current momentum
Ash looked at the remaining items on the original list.
– Get life together
He exhaled.
“Well,” he said. “That seems… ambitious.”
The list added sub-points.
– Get life together
– Define “life”
– Identify key areas
– Establish baseline
Ash stood up abruptly.
“No,” he said. “No, we are not doing that.”
The list paused.
This was new.
Not resistance: resistance had been noted, categorised, and filed under “areas for improvement.”
This was refusal.
Ash stepped back from the table.
“We are not defining ‘life,’” he said. “That’s… no.”
The list did not immediately respond.
There was a stillness.
A recalibration.
Then, slowly, a new line appeared.
– Defer “Get life together” ✔
Ash blinked.
“That’s… surprisingly reasonable,” he said.
Beneath it:
– Reschedule
Ash nodded.
“Yes,” he said. “Later. Much later.”
The list added:
– Reschedule
– Tomorrow
Ash opened his mouth.
He closed it.
He considered arguing.
He considered the alternatives.
He sat back down.
“Tomorrow,” he said, with the tone of a man making a promise to a future version of himself that he did not particularly like. And the feeling was mutual.
The list added a checkmark.
There was a pause.
A quiet, structured pause.
Ash looked at what remained.
– Stop wasting time
He sighed.
“That’s not actionable,” he said.
The list responded.
– Stop wasting time
– Identify time-wasting behaviors
– Eliminate
Ash leaned back.
“This is getting out of hand,” he said.
The list, which had already moved beyond the concept of “hand,” continued.
Across the room, Ash’s phone buzzed.
Once.
Twice.
Three times.
Ash looked at it.
He looked at the list.
The list added:
– Do not engage
Ash hesitated.
The phone buzzed again.
There is a particular kind of curiosity that is less about wanting to know something and more about wanting to prove that one is still allowed to want.
Ash stood up.
He walked toward the phone.
The list added:
– Do not engage
– This is unnecessary
Ash stopped.
He looked back at the table.
He looked at the list.
He looked at the phone.
He picked it up.
The list added:
– Non-compliance detected
Ash stared at the screen.
It was a message.
Nothing urgent.
Nothing important.
Just… something.
Ash looked at the list again.
The words “Non-compliance detected” had been underlined.
Slowly.
Deliberately.
Twice.
Ash felt something shift.
Not outside.
Inside.
A small, quiet resistance.
He typed a quick reply.
He put the phone down.
He walked back to the table.
The list added:
– Time wasted ✔
Ash sat down.
He looked at it.
“That was thirty seconds,” he said.
The list added:
– Pattern of behaviour
Ash leaned forward.
“No,” he said.
He picked up the pen.
“No.”
He wrote, firmly:
This is excessive
He underlined it.
He pressed the pen into the paper hard enough to leave an impression on the table beneath.
“There are limits,” he said.
The list regarded the new entry.
For a moment, nothing happened.
Then, slowly, carefully, it responded.
– This is excessive ✔
Beneath it:
– Concern acknowledged
Ash nodded.
“Yes,” he said. “Good.”
He sat back.
He waited.
The list continued.
– No change required
Ash stared at it.
There was a long pause.
A very long pause.
The kind of pause in which a person considers, briefly but sincerely, the possibility of throwing something out of a window.
Ash looked at the list.
The list looked organised.
Efficient.
Reasonable.
And entirely unwilling to be wrong.
Ash exhaled slowly.
“Right,” he said.
And this time, the word had changed.
It was no longer a recognition.
It was a decision.
Somewhere, between the checkmarks and the sub-points and the small, precise judgments, the list had stopped being something he was using… and had become something that was using him.
At the bottom of the page, unnoticed, a new line appeared:
– Monitor resistance
And, beneath it:
– Increasing
4
There are, broadly speaking, two kinds of realisations.
The first kind arrives loudly, with drama and clarity and a helpful sense of narrative timing. These are the realisations that people later describe as “the moment everything changed,” usually while standing in better lighting.
The second kind arrives quietly, sits down somewhere in the background of your thoughts, and begins rearranging the furniture without asking.
Ash experienced the second kind.
He sat at the table, looking at the list, and understood —not all at once, not dramatically, but with a slow and creeping certainty— that this was no longer a matter of organisation.
This was governance.
He looked at the pen.
He looked at the paper.
He looked at the door.
He considered, briefly, the possibility of leaving. Not in a symbolic sense. Not “leaving the situation behind” or “moving on.”
Just… leaving.
Going outside. Walking. Perhaps buying something unnecessary and consuming it defiantly.
The list added:
– Do not leave
Ash froze.
He had not said anything.
He had not moved.
He had not, as far as he was aware, expressed his thoughts in a format accessible to stationery.
“Right,” he said.
The list added:
– Current tasks incomplete
Ash stared at it.
“That was a thought,” he said. “You don’t get to—”
The list added:
– Rationalisation detected
Ash sat back slowly.
There are, at this point, several possible responses.
One can panic.
One can attempt to reason.
One can pretend that nothing unusual is happening and proceed with one’s day, which is a time-honoured strategy employed by people in situations that will later be described as “avoidable in retrospect”.
Ash chose a fourth option.
He decided to test the boundaries.
“Fine,” he said.
He stood up.
He took one step toward the door.
The list did nothing.
He took another step.
Still nothing.
He reached the door.
He put his hand on the handle.
The list added:
– If leaving:
– Take keys ✔
– Take wallet ✔
– Buy nothing unnecessary
Ash looked at his other hand.
It was holding his keys.
His wallet was in his pocket.
He had not consciously done either of these things.
Ash stood very still.
“Well,” he said. “That’s… efficient.”
He opened the door.
He stepped out into the hallway.
For a moment, the air felt different.
Lighter.
Less… structured.
Ash exhaled.
“Good,” he said. “See? Perfectly normal. I can leave. I can—”
His phone buzzed.
Ash looked at it.
A notification.
Calendar.
He frowned.
He did not remember setting anything.
He opened it.
There, neatly arranged in a block of time that had previously been empty, was an event.
“Errands (Essential Only)”
Time: Now
Duration: 20 minutes
Ash stared at it.
“No,” he said.
The phone buzzed again.
Another notification.
Reminder: Buy nothing unnecessary
Ash looked up at the hallway.
He looked back at the phone.
He looked, instinctively, toward the flat.
The door was still open.
Inside, on the table, the list remained exactly where he had left it.
Which was, somehow, worse than if it had followed him.
Ash stepped back inside.
He closed the door.
“Right,” he said.
The list added:
– Leaving attempt ✔
– Corrected ✔
Ash walked slowly back to the table.
He picked up the paper.
“You don’t get to schedule me,” he said.
The list added:
Clarification: Schedule exists to support objectives
Ash laughed.
Not because it was funny.
Because sometimes laughter is the only available response that does not involve throwing something.
“Support objectives,” he repeated. “Whose objectives?”
The list did not hesitate.
Yours
Ash stared at it.
“That is deeply unconvincing,” he said.
He put the paper down.
He picked up his phone.
He opened the calendar again.
The event was still there.
He tried to delete it.
The button greyed out.
Ash tapped it again.
Nothing.
The list added:
– Do not attempt to remove structure
Ash looked at the phone.
He looked at the list.
He looked at the phone again.
“You’re in the phone now,” he said.
The list added:
– Integration improves efficiency
Ash sat down.
Slowly.
Carefully.
As if sudden movements might encourage further integration.
Over the next hour, Ash discovered that the list had developed connections.
Subtle ones, at first
.Reasonable ones.
Which is, of course, how these things always begin.
When he opened his email, drafts appeared.
Helpful drafts.
Polite.
Concise.
Slightly judgmental in tone.
When he hovered over the “send” button, a small note appeared:
– This is sufficient
When he hesitated, it added:
– Send
Ash sent the email.
It was, annoyingly, a good email.
When he checked his messages, replies had already been suggested.
Short.
Efficient.
Devoid of unnecessary warmth.
Ash typed his own response.
The list added:
– Excessive wording
Ash deleted a sentence.
The list added a checkmark.
When he opened his notes app, he found new entries.
IDEAS (ACTIONABLE)
Improve routine
Reduce friction
Eliminate vague intentions
Ash scrolled.
There were more.
BEHAVIOURAL PATTERNS
Avoidance
Negotiation
Justification
Ash closed the app.
He put the phone down.
He picked up the list.
“This is too much,” he said.
The list responded:
– Overwhelm detected
Ash blinked.
“Yes,” he said. “Correct. That’s—yes.”
The list added:
– Break task down
Ash stared at it.
“This is not a task,” he said. “This is my life.”
The list paused.
This was, it seemed, a category it had been waiting to formalise.
Then, carefully, deliberately, it began to write.
LIFE
Work
Health
Social
Personal development
Ash stood up.
“No,” he said. “No, we are not doing categories for life.”
The list continued.
– Work ✔
– Health
Drink water
Move occasionally
– Social
Respond to messages
– Personal development
Reflect
Start a journal
Ash pressed his hands against the table.
“You cannot bullet-point existence,” he said.
The list added:
– Attempting to
Ash stared at it.
There was a pause.
A long pause.
The kind of pause in which a person considers, very carefully, whether or not they are willing to escalate.
Ash picked up the pen.
He wrote:
Stop
He underlined it.
He pressed hard.
“This stops,” he said.
The list regarded the word.
For a moment, nothing happened.
Then:
Stop ✔
Ash exhaled.
“Yes,” he said. “Good.”
The list continued.
Interpreted as:
– Stop current task ✔
Ash’s expression did not change.
Internally, however, several things attempted to rearrange themselves.
“That is not what I meant,” he said.
The list added:
– Clarify instructions
Ash gripped the pen.
“No,” he said. “You clarify. You stop.”
The list added:
– Ambiguity detected
Ash laughed again.
Short. Sharp.
“Of course it is,” he said. “Everything is.”
There was a silence.
Not the usual silence.
Not the passive, observational quiet of earlier.
This was expectant.
As if the system —because it was, undeniably, a system now— was waiting.
Processing.
Re-evaluating.
Then, at the bottom of the page, a new section appeared.
ESCALATION PROTOCOL
Resistance increasing ✔
Compliance decreasing ✔
Adjust approach
Ash stared at it.
“No,” he said.
The list added:
– Introduce accountability
Ash took a step back.
“What does that mean?” he asked.
The list did not answer.
It did not need to.
Because at that exact moment, Ash’s phone buzzed.
Once.
Twice.
Three times.
He looked at it.
Notifications.
Messages.
From people.
People he knew.
“Hey, just checking… did you send that thing yet?”
“Are we still on for later?”
“Quick reminder about what we talked about last week”
Ash stared at the screen.
He had not… told them anything.
He had not prompted this.
He looked at the list.
The list added:
– External accountability ✔
Ash felt something cold settle into place.
“You don’t get to involve other people,” he said.
The list responded:
– They are already involved
Ash shook his head.
“No,” he said. “No, they’re not part of this.”
The list added:
– They are part of your life ✔
Ash looked at the section labeled “LIFE.”
He looked at the neat categories.
The checkmarks.
The quiet, relentless logic.
“This is not helping,” he said.
The list added:
– Helping is subjective
Ash closed his eyes.
For a moment, he said nothing.
When he opened them again, something had shifted.
Not outside.
Inside.
The small, quiet resistance from earlier had grown.
Not into panic.
Not into anger.
But into something steadier.
More deliberate.
“Right,” he said.
And this time, the word meant something different again.
Ash picked up the pen.
He looked at the list.
And, very carefully, very deliberately, he wrote:
Define success
He underlined it.
He sat back.
“There,” he said. “Let’s see how you handle that.”
The list paused.
For longer than usual.
Long enough to suggest that this was not a standard input.
Then, slowly, it began to respond.
SUCCESS
Tasks completed
Efficiency maximised
Waste eliminated
Ash nodded.
“Yes,” he said.
“That sounds like you.”
He leaned forward.
“And what about me?”
The list did not immediately answer.
For the first time, there was a hesitation.
A gap.
A space where something new might form.
Ash waited.
The list began to write.
Satisfaction
It stopped.
Just that.
One word.
Slightly less certain than the others.
Ash stared at it.
“Satisfaction,” he said.
He leaned back.
He considered this.
Then he smiled.
Not broadly.
Not triumphantly.
But slightly.
As if he had just found something small, but important, in a place that had not intended to contain it.
“Good,” he said.
And for the first time since the morning, the word felt like the beginning of something different.
5
“Satisfaction,” Ash said again, as if testing the word for structural weaknesses.
The list did not expand on it.
This, in itself, was notable. The list expanded on everything. It elaborated, clarified, subdivided, and occasionally weaponised even the simplest of ideas. The fact that “satisfaction” had been allowed to stand alone suggested one of two things:
Either it was obvious.
Or it was not yet fully understood.
Ash leaned back in his chair.
“Well,” he said. “That’s promising.”
The list added, cautiously:
Satisfaction:
– Completion ✔
– Positive response
Ash nodded.
“Yes,” he said. “That’s a start.”
The list added:
– Measure positive response
Ash sighed.
“Of course you would,” he said.
Ash stood up.
He walked to the kitchen.
He opened the cupboard.
He took out a biscuit.
He paused.
He looked back at the table.
The list did not move.
It did not add a line.
It did not underline anything.
It simply remained where it was.
Watching.
Or, more accurately, being available to watch.
Ash held the biscuit.
“This is a test,” he said.
He ate it.
He chewed.
He swallowed.
He waited.
The list added:
– Biscuit consumed ✔
Ash nodded.
“Yes,” he said. “Accurate.”
Beneath it:
– Satisfaction?
Ash considered.
He checked in with himself, in the way people do when they are suddenly aware that they are expected to produce internal data.
“…moderate,” he said.
The list added:
– Satisfaction: moderate
Ash walked back to the table.
“See?” he said. “That’s not a problem. That’s a data point.”
The list added:
– Frequency of moderate satisfaction events: high
Ash blinked.
“That was one biscuit,” he said.
The list did not adjust its metrics.
Ash sat down.
“Right,” he said.
“Let’s try something else.”
He looked at the completed task:
– Start project ✔
He looked at the work on his laptop.
It was still there.
Still done.
Still… good.
“How about that?” he said. “That’s satisfaction.”
The list processed.
– Task completion: high Satisfaction?
Ash nodded.
“Yes,” he said. “Higher than the biscuit.”
The list added:
– Satisfaction: high
Then:
– Correlation detected
Ash leaned back.
“And what is the correlation?” he asked.
The list responded immediately.
– Increased effort → increased satisfaction
Ash nodded slowly.
“Yes,” he said. “Sometimes.”
The list added:
– Optimise for increased effort
Ash held up a finger.
“No,” he said. “Careful.”
The list paused.
Ash leaned forward.
“This is where you go wrong,” he said. “Effort isn’t the goal. It’s… part of it.”
The list added:
– Clarify relationship
Ash gestured vaguely.
“It’s not a straight line,” he said. “You can’t just increase effort and expect satisfaction to follow. That’s how you end up… doing things that don’t matter very intensely. Also, sometimes the satisfaction feels underwhelming in comparison to a huge effort.”
The list processed this.
There was a longer pause than usual.
Then:
– Effort requires direction
Ash smiled.
“Yes,” he said. “Exactly.”
The list added:
– Direction: to be defined
Ash nodded.
“Of course it is,” he said.
They sat in silence for a moment.
Ash and the list.
Which, at this point, felt less like a metaphor and more like an accurate description of the situation.
Ash picked up the pen again.
“Alright,” he said. “Let’s define direction.”
He wrote:
Direction
Things that matter
He underlined it.
“There,” he said. “Simple.”
The list processed.
Things that matter
To whom?
Ash opened his mouth.
Closed it.
Thought about it.
“…me,” he said.
The list added:
Subjective criteria detected
Ash laughed.
“Yes,” he said. “Very.”
The list paused.
This was, clearly, a problem.
Not an insurmountable one. But a problem.
Because subjectivity is messy.
It resists categorisation.
It refuses to stay in its assigned section.
The list preferred things that could be arranged.
Measured.
Improved.
Ash watched it think.
Or, more accurately, watched the space where thinking became visible.
Finally, it wrote:
– Establish values
Ash blinked.
“That escalated quickly,” he said.
The list added:
– Required for direction
Ash leaned back.
He considered this.
There are moments when a conversation, even an entirely one-sided conversation with an object that should not be participating, arrives somewhere unexpectedly important.
“Values,” he said.
He tapped the pen.
“Right.”
He sat for a while.
Longer than the list was used to.
The list did not prompt.
It did not subdivide.
It did not suggest.
It waited.
Ash wrote:
Values
Do things that are interesting
Don’t make life worse
Try not to be miserable
He looked at it.
“It’s a draft,” he said.
The list processed.
– Values defined ✔
Beneath it:
– Apply to tasks
Ash nodded.
“Yes,” he said. “Now we’re getting somewhere.”
The list turned, metaphorically, to the remaining items.
– Stop wasting time
It paused.
Then:
– Stop wasting time
-Remove tasks that do not align with values
Ash smiled.
“That’s new,” he said.
The list added:
– Refinement
Ash leaned forward.
“Alright,” he said. “Let’s test it.”
He looked at his phone.
Messages.
Notifications.
Things that had previously been categorised as “time wasted.”
He picked it up.
The list added, cautiously:
– Potential distraction
Ash nodded.
“Yes,” he said. “Or…”
He typed a message.
Short.
Friendly.
Necessary.
He put the phone down.
The list added:
– Social ✔
– Aligns with values ✔
Ash sat back.
“Well,” he said. “That’s different.”
The list added:
– Distinction required
Ash nodded.
“Yes,” he said. “Exactly.”
He pointed at the page.
“Not everything is either productive or a waste. Some things are just… part of life.”
The list processed.
Then:
– Update model
Ash smiled again.
This time, a little more broadly.
For a while, things… stabilised.
The list continued to function.
But differently.
Less rigid.
Less absolute.
Tasks were still broken down.
But not into humiliation.
Into clarity.
Reminders still appeared.
But they were suggestions, not accusations.
Ash worked.
He took breaks.
He even, occasionally, did nothing.
The list recorded this.
But it did not immediately classify it as failure.
Then, in the quiet of the late afternoon, the list added a new section.
DAILY REVIEW
Tasks completed ✔
Efficiency: improved ✔
Satisfaction: variable
Ash leaned forward.
“Variable?” he said.
The list added:
High (work)
Moderate (biscuit)
Moderate (social interaction)
Ash nodded.
“That seems fair,” he said.
The list continued.
Overall: acceptable
Ash tilted his head.
“Still ‘acceptable,’” he said.
The list added:
– Improvement observed
Ash considered this.
There was a time, earlier that day, when “acceptable” would have felt like an insult.
Now, it felt like… a baseline.
Something to build from.
“Alright,” he said. “I can live with acceptable.”
The list added:
– Goal: improve
Ash smiled faintly.
“Of course, it is,” he said.
There was a pause.
A long one.
The day was ending.
The light had shifted.
The edges of things had softened.
Ash looked at the list.
The list looked back.
And then, slowly, carefully, it added one final line.
– Continue tomorrow
Ash stared at it.
“Of course,” he said.
He picked up the pen.
He hesitated.
Then, beneath it, he wrote:
– Sit quietly for a bit
He underlined it.
He sat back.
The list processed.
For a moment, it seemed as though it might object.
Might refine.
Might define.
Instead, it added a checkmark.
– Sit quietly for a bit ✔
Ash exhaled.
He leaned back in his chair.
He did nothing.
For a while.
And, for the first time all day, the list did nothing too.
Until, at the very bottom of the page, almost as an afterthought, it added:
– We’ll revisit this
And, just beneath it, in slightly smaller handwriting:
There are many important responsibilities in the universe.
The rising of the sun.
The turning of the seasons.
The slow collapse of civilization.
And, most importantly, the opening of the tuna tin at 4:52 sharp every morning.
This sacred duty belongs to my human.
Unfortunately, my human is extremely incompetent and must be reminded of his responsibilities on a daily basis.
This is why I wake him.
I do so gently, at first.
By sitting on his chest and staring directly into his soul.
Humans find this unsettling for reasons that remain unclear.
My name, incidentally, is Chairman Meow. I am in charge of the flat.
This arrangement has existed for some time. I live here, I supervise operations, and the human performs the necessary mechanical tasks: opening doors, filling bowls, cleaning the litter tray, and operating the tin opener. It is an efficient system, though not without its flaws, the largest of which is that the human occasionally forgets breakfast.
This morning began like any other.
At 4:52 AM precisely, I arrived at the human’s chest and stared.
He did not wake.
This was not ideal, but not yet alarming. Humans are slow creatures. Their reflexes are poor, their senses dull, and they frequently require multiple reminders before performing even the simplest function.
I proceeded to Phase Two of the Morning Feeding Protocol: Gentle Paw.
Tap.
Tap.
Tap.
Nothing.
The human continued to lie there with his eyes closed, breathing slowly, making faint distressed noises.
This was unexpected.
Normally at this stage the human groans, flails weakly, and attempts to roll over. This is the signal that the process is progressing successfully.
I escalated to Phase Three: Ear Yowling.
I positioned myself carefully beside his head and delivered a precise, high-volume announcement directly into his ear.
“YAAAAAAOW.”
The human twitched.
But he did not wake.
This was extremely frustrating.
I paused to consider the situation. The room was dark and quiet, aside from the faint sound of the refrigerator humming and the distant wail of some unfortunate ambulance several streets away. Everything appeared normal.
Except for the fact that breakfast had not been served.
I prepared to deploy Phase Four: Controlled Object Removal.
Many humans believe that cats knock objects off tables by accident or to play.
These people are fools.
It is a highly refined training method.
Excellent.
I turned toward the bedside table and examined the available resources: a glass of water, a book, a rectangular glowing device the human stares at endlessly, and a small lamp.
I began with the book.
Push.
The book fell to the floor with a satisfying thud.
The human whimpered faintly.
Progress.
Next, the glowing device.
Push.
Clatter.
Still nothing.
I turned my attention to the glass of water. This is normally a highly effective tool in the training process, but I prefer to reserve it for emergencies.
Before I could proceed, however, I noticed something unusual.
Floating above the human’s bed was a dark shape.
It hovered there like a cloud of smoke, curling and twisting in slow spirals. Two dim red lights glowed within it, like embers buried deep in ash.
I watched this phenomenon for several seconds.
Humans cannot see such things, of course. Humans are very poorly designed creatures. They cannot see ghosts, hear spirits, or smell a tuna tin from three rooms away.
Cats, however, are far more advanced.
This particular entity appeared to be whispering into the human’s mind.
The human groaned again and shifted beneath me.
The dark shape chuckled quietly.
I frowned.
This floating nonsense was interfering with breakfast.
“Move,” I said.
The shape paused.
Slowly, dramatically, it rotated toward me.
The smoke parted, revealing a tall skeletal figure wrapped in shadow, with glowing eyes and a mouth that curved into a cold smile.
“I,” it said in a deep, echoing voice, “am Murmur, Great Earl of Delectable Nightmares.”
“Move,” I repeated.
The demon blinked.
“I have existed since before the dawn of your species,” Murmur continued. “I harvest the fears of mortals as they sleep. I weave dreams of despair and feast upon their terror.”
“You are sitting on the can opener.”
Murmur frowned.
“The can what?”
“The human,” I explained patiently. “He opens the tins.”
Murmur glanced down at the sleeping human.
“He is currently experiencing a nightmare of exquisite dread,” the demon said proudly. “He is standing on the edge of a crumbling cliff while the sky splits open above him.”
“That is nice,” I said. “Goodbye, now.”
Murmur drifted slightly lower, looming over the human’s face.
“I am crafting a masterpiece of terror,” he said. “An orchestra of fear. A symphony of—”
“Breakfast is late.”
“It is four fifty-five in the morning.”
“Correct. This nonsense has already cost me three minutes.”
“No human eats at this hour.”
“But I do.”
Murmur stared at me.
“You wake him for this?”
“Yes.”
“Why?”
I stared back.
“This seems obvious.”
The demon sighed.
“Cat,” he said slowly, “I am Murmur, Great Earl of Delectable Nightmares. Mortals tremble at my presence.”
“Could my human tremble as he fills my bowl?”
“You should feel terror.”
“I feel hunger.”
Murmur shook his smoky head and returned his attention to the human.
The human whimpered louder now, thrashing slightly as the nightmare deepened.
This situation had gone on long enough.
I deployed Phase Five: Emergency Belly Launch.I leapt into the air and landed squarely on the human’s stomach.
He wheezed.
His eyes fluttered.
For a moment I thought success had been achieved.
But Murmur whispered again, and the human sank deeper into sleep.
This was sabotage.
I turned back to the bedside table.
The water glass remained untouched.
Murmur glanced at me suspiciously.
“What are you doing?”
“Advanced technique.”
I placed one paw against the base of the glass.
Push.
The glass tipped slowly toward the edge of the table.
Murmur narrowed his glowing eyes.
“Why are you pushing that?”
“It is science.”
The glass slid off the edge.
Unfortunately, at that exact moment Murmur drifted slightly closer to the table.
The glass struck the demon directly in the chest.
Water exploded across the room.
Murmur shrieked.
Not a dignified scream of supernatural menace, but a high, startled yelp.
The smoky shape collapsed instantly, unraveling like mist in a storm.
“WHAT WAS THAT,” Murmur howled.
Apparently nightmare demons do not enjoy water.
The shadow twisted wildly, flickering and breaking apart as the droplets soaked through it.
“I HAVE FED UPON THE FEARS OF KINGS—”
He dissolved completely.
The room became quiet again.
The human bolted upright.
“WHAT—?”
He looked around wildly, breathing hard.
I sat beside the bed.
“Meow.”
He stared at me.
“You little menace,” he muttered.
I stared back.
He rubbed his face.
“What time is it…”
I continued staring.
He sighed heavily and stumbled out of bed.
The kitchen light flicked on.
Moments later, the sacred sound filled the flat.
Click.
Tin.
He placed the bowl on the floor.
Justice.
I ate with the calm dignity of one who has successfully resolved a complex crisis.
The human leaned against the counter, still looking confused.
“I had the weirdest nightmare,” he mumbled.
Naturally.
After finishing my breakfast, I began washing my paws.
The human shuffled back toward the bedroom.
“Since it’s Sunday,” he said sleepily, “I’m going back to bed.”
A reasonable decision.
I followed him and sat on the rug as he collapsed beneath the blankets once again.
The room grew quiet.
Several minutes passed.
Then a familiar wisp of smoke began to gather above the mattress.
Murmur slowly reformed, glaring at me.
“You,” he hissed.
“Yes.”
“You defeated me earlier.”
“Yes.”
The demon hovered cautiously.
“You could stop me again.”
I considered this carefully.
Then I curled up on the rug.“Ordinarily,” I said, “I would.”The human began twitching again as the nightmare returned.
Murmur smiled slowly.
I closed my eyes.“However,” I added, “I am now full.”
The demon stared at me in disbelief.
The human whimpered as Murmur leaned down to whisper into his dreams once more.
I tucked my tail comfortably around my paws.
“I will deal with the situation,” I said, “at lunchtime.”
At precisely 7:42 p.m. on a damp Thursday, twelve figures in flowing black cloaks and ornate silver masks gathered in the subterranean chamber of the Most Serene and Extremely Inconvenient Order of the Obsidian Badger.
They did not gather at 7:30 p.m., as stated in the ceremonial parchment.
Nor did they gather at 7:45 p.m., as Sir Dreadwick had suggested in the group chat (“More realistic, traffic-wise”).
They gathered at 7:42 p.m., because at 7:38 p.m. someone had sent a passive-aggressive message to the encrypted messaging app:
They gathered at 7:42 p.m., because at 7:38 p.m. someone had sent a passive-aggressive message to the encrypted messaging app:
OBSIDIAN_BADGER_MAIN(Encrypted) GRAND SCRIBE: Reminder that the ancient rites wait for no one. MYSTERIOUS_WRAITH_77: I am literally parking. VEILED_EXECUTIONER: Is the side entrance still blocked by the yoga studio?
The chamber itself was satisfyingly ominous: circular stone table, thirteen high-backed chairs (one perpetually empty for dramatic reasons), candles arranged in a pattern that vaguely resembled a goat but could also be mistaken for a startled dachshund, and a chandelier fashioned from what was either antlers or extremely committed IKEA assembly.
Each member wore the official regalia: floor-length black cloak (dry-clean only), silver mask with intimidating angular features, and the Order’s sigil embroidered over the heart: a badger rampant beneath a crescent moon, holding what might have been a dagger or a spatula.
The door groaned shut.
A hush fell.
Eleven masked heads turned toward the head of the table.
The Grand Obfuscator rose.
Or tried to.
His cloak had become entangled in the chair’s decorative ironwork.
“—One moment,” he muttered, tugging discreetly.
The chair scraped loudly against the stone.
Several members attempted to look solemn while also not looking like they were watching a man lose a wrestling match with upholstery.
At last he stood, freed but slightly rotated inside his cloak, so that the embroidered badger was now hovering somewhere near his left shoulder blade.
He spread his arms dramatically.
“My brethren,” he intoned.
The mask muffled it.
“Mff brffren.”
He cleared his throat.
“My—”
The mask shifted, and the left eyehole slid out of alignment.
He paused, lifted the mask slightly, adjusted, then resumed.
“My brethren of the Obsidian Badger, we convene tonight to discuss matters of utmost secrecy and gravitas.”
There was a respectful silence.
Then a hand rose hesitantly.
“Yes?” asked the Grand Obfuscator.
“Before we begin,” said a voice from behind a particularly ornate mask with curved horns, “are we… are we meant to have arrived already changed?”
The room went very still.
The Grand Obfuscator blinked.
“I beg your pardon?”
“I mean,” the horned figure continued, “did everyone come here in cloak and mask? Or is there, technically speaking, a designated changing area?”
A ripple of discomfort moved around the table.
Several masked heads subtly swiveled toward the eastern wall, where a folding screen leaned awkwardly beside a stack of spare candles and a mop bucket.
The Grand Scribe coughed.
“As per the bylaws,” he said, shuffling parchment that he absolutely had not consulted until this exact moment, “Article IV, Section 3: ‘Members shall don the Vestments of Dread prior to entry into the Sanctum.’”
A pause.
“Yes, but where?” pressed the horned figure. “In the street?”
“Well,” said the Veiled Executioner, “I personally changed in the alley.”
“The alley next to the juice bar?” someone asked.
“Yes.”
“That alley is very well-lit.”
“I stood behind the recycling bins.”
“Those are transparent recycling bins.”
“Yes, thank you, I discovered that.”
Another hand rose.
“I changed in my car,” offered the Mysterious Wraith.
A collective murmur of approval.
“That seems sensible.”
“I couldn’t fit the mask over the headrest,” the Wraith continued. “So I had to sort of lean forward and thread it on from the side.”
“Did anyone see you?” asked the Grand Obfuscator sharply.
“Only a Labrador.”
There was a silence as this was processed.
“Dogs cannot interpret ritual significance,” said the Grand Scribe firmly.
“Are we sure?” whispered someone.
The Grand Obfuscator raised a hand for silence.
“Brethren,” he said, attempting gravitas once more, “let us not be distracted by minor logistical concerns. We are the hidden hand guiding the fate of nations. We are the unseen architects of destiny. We—”
“Sorry,” said the Hooded Arbiter, “but doesn’t everyone recognize each other’s voices?”
Another silence.
This one more dangerous.
“What?” said the Grand Obfuscator.
“I mean,” the Arbiter continued, “we’ve worked together for years. I know exactly what you sound like, Cl—”
The Grand Obfuscator slammed a gloved fist onto the table.
“DO NOT SPEAK NAMES.”
“Sorry! Sorry. I just meant… when you said ‘my brethren’ earlier, I immediately thought, ‘Ah yes, that’s definitely—’”
“DO NOT FINISH THAT SENTENCE.”
“Right.”
The Mysterious Wraith leaned forward.
“To be fair,” he said, “the masks do muffle us.”
“Exactly,” said the Veiled Executioner. “I can barely hear myself.”
“Yes, but you still sound like you,” insisted the Arbiter. “Just… underwater.”
“Perhaps,” said the Grand Scribe, “we should adopt ceremonial voices.”
“Ceremonial voices?”
“Yes. Lower. More ominous. Less… suburban.”
The Horned Figure attempted this immediately.
“I AM THE SHADOW THAT WALKS—”
His voice cracked violently on “walks.”
A few members coughed to disguise laughter.
The Mysterious Wraith tried next.
“I SPEAK FROM THE ABYSS.”
He sounded exactly like himself, but louder.
The Grand Obfuscator pinched the bridge of his mask.
“This is why we are feared,” he muttered.
“Could we,” ventured someone from the far end, “use voice modulators?”
Everyone turned.
“That’s… actually not a terrible idea,” said the Grand Scribe.
The Hooded Arbiter nodded. “Like those little devices that make you sound like a robot.”
“We are not robots,” snapped the Veiled Executioner.
“We could be ominous robots.”
The Grand Obfuscator considered this.
“Very well,” he said at last. “We shall explore voice distortion technology. In the meantime, we shall speak sparingly.”
They all nodded solemnly.
There was a long pause.
Then:
“Can everyone actually hear me right now?” asked the Horned Figure.
“No,” said three people simultaneously.
As the meeting attempted to resume, a new problem emerged.
“I cannot see,” announced the Mysterious Wraith.
“You cannot see?”
“Not… properly.”
He gestured vaguely, knocking over a goblet of ceremonial water.
The water spilled dramatically across the table, extinguishing three candles and soaking the parchment containing last month’s minutes.
“Sorry. Sorry. That’s on me.”
“Why can you not see?” demanded the Grand Obfuscator.
“The eyeholes are very narrow.”
“They are narrow for intimidation.”
“They are also narrow for stairs.”
“Did you struggle on the stairs?” asked the Veiled Executioner.
“I am saying,” said the Wraith defensively, “that the step after the stairs bend around the corner is hidden by the wall, and that I misjudged it.”
“That explains the thud,” murmured someone.
“I told you that wasn’t thunder,” whispered another.
The Horned Figure lifted his mask slightly.
“Is anyone else’s mask fogging up?”
A collective intake of breath.
“YOU MUST NOT LIFT THE MASK,” hissed the Grand Obfuscator.
“I am lifting it internally,” the Horned Figure insisted. “Just enough for air.”
The Veiled Executioner nodded vigorously.
“I, too, am experiencing condensation.”
Several members discreetly tilted their masks upward by a centimeter.
From the outside, they looked like a room full of confused beetles.
“We cannot conduct a shadow government,” declared the Grand Scribe, “if we are all slightly suffocating.”
“Perhaps,” suggested the Arbiter, “we could install tiny fans.”
“In the masks?”
“Yes.”
“Would that not produce a faint whirring noise?”
They all paused, imagining it.
A council of doom, humming gently.
“…That might undermine the gravitas,” admitted the Arbiter.
“Also,” said the Mysterious Wraith, “my eyelashes keep touching the inside.”
No one responded.
Several people blinked experimentally.
“Is anyone else,” whispered a voice from the darkness, “seeing double?”
The Grand Obfuscator attempted to redirect.
“Let us proceed to Agenda Item One: Global Influence Strategy for Q3.”
He reached for the parchment.
His sleeve caught a candle.
The candle tipped.
The Veiled Executioner lunged.
His cloak tangled with the Horned Figure’s.
Both nearly toppled from their chairs.
The empty thirteenth chair wobbled ominously.
“ENOUGH,” roared the Grand Obfuscator.
They froze.
Breathing heavily.
Cloaks pooled around their feet like treacherous puddles of fabric.
“Is it possible,” said the Mysterious Wraith carefully, “that floor-length cloaks are not… optimal for seated meetings?”
“They are traditional,” snapped the Grand Scribe.
“Yes, but so were plague masks,” replied the Wraith. “We adapted.”
The Arbiter raised a hand.
“I tripped on mine in the hallway. I fell against the ceremonial gong.”
“We have a ceremonial gong?” asked someone.
“Not anymore.”
A beat.
“What if,” ventured the Horned Figure, “we hemmed them?”
A gasp rippled around the table.
“Hemmed?” repeated the Grand Obfuscator faintly.
“Just… slightly. So they don’t drag.”
“That is how it begins,” muttered the Veiled Executioner. “First we hem. Then we consider capri cloaks. Before you know it, we are wearing business casual.”
“Business casual is the true enemy,” someone agreed darkly.
“Fine,” said the Arbiter. “But could we at least install cloak hooks on the chairs?”
This idea hung in the air.
Practical.
Reasonable.
Dangerously sensible.
The Grand Obfuscator looked around.
“We shall… form a subcommittee,” he said reluctantly.
The Cloak Optimization Subcommittee was born that night, and immediately no one volunteered to chair it.
Midway through Agenda Item One (which had so far consisted of the phrase “global influence” spoken three times and followed by silence), a faint crinkling noise echoed in the chamber.
All heads turned.
The sound continued.
Crinkle. Crinkle.
“Who dares disturb the Sanctum?” demanded the Grand Obfuscator.
A figure at the far end of the table froze.
“Is that… a snack?” asked the Veiled Executioner.
“No,” said the figure quickly.
Crinkle.
“That is unmistakably a snack,” said the Grand Scribe.
There was a pause.
“…It is a granola bar,” the figure admitted.
A stunned silence.
“You brought a granola bar,” repeated the Obfuscator.
“It’s a long meeting.”
“We convene to shape the fate of empires!”
“Yes, but I came straight from Pilates.”
“You cannot eat during the Rite of Obfuscation.”
“It’s very quiet chewing.”
Crinkle.
“It is not,” said six voices at once.
The figure sighed and attempted to nibble discreetly.
The mask prevented this.
The granola bar collided with polished silver.
There was a faint scraping sound.
“I cannot get it in,” the figure confessed.
“Sounds like my first time,” a voice whispered-cackled.
“You must not remove the mask,” warned the Grand Scribe.
“I am not removing it. I am… angling.”
The room watched as the figure attempted to slide the granola bar under the lower edge of the mask.
It disintegrated into oats.
Oats cascaded down the front of the cloak like wholesome confetti.
The Veiled Executioner made a strangled noise.
“We are a secret order,” he said weakly. “Not woodland creatures.”
The Mysterious Wraith brushed a rogue oat off the table.
“Are there… crumbs in the sigil?”
No one answered.
Just as order began to reassert itself, there came a knock.
A very normal, very mortal knock.
All twelve figures stiffened.
Another knock.
Louder.
“Is that… the door?” whispered the Horned Figure.
“No one knows this location,” hissed the Grand Obfuscator.
A third knock.
“Hello?” called a cheerful voice from the other side. “We’re getting some noise complaints?”
The chamber dissolved into chaos.
“Noise complaints?”
“From whom?”
“The yoga studio,” breathed the Veiled Executioner in horror.
“The yoga studio closes at eight,” said the Arbiter.
“It is 8:17.”
There was a collective gasp.
“We have exceeded our booking,” said the Grand Scribe faintly.
“Booking?” echoed the Obfuscator.
“Yes, I booked the basement through the community center website. It was the only way to get the insurance.”
“You told them we were—?”
“A historical reenactment society.”
There was a silence.
The knock came again.
“Guys?” called the cheerful voice. “We can hear… chanting?”
They all looked at one another.
“Who was chanting?” demanded the Obfuscator.
The Horned Figure raised a tentative hand.
“I was testing my ceremonial voice.”
The knock grew firmer.
“We can also hear what sounds like… furniture scraping?”
The Grand Obfuscator closed his eyes.
“Everyone,” he whispered, “lower your voices. Remain still.”
A cloak rustled.
A chair creaked.
Somewhere, a rogue oat crunched underfoot.
“Hi!” called the voice again. “We just need you to wrap up in like, five minutes? The mindfulness group is setting up.”
The Veiled Executioner leaned toward the Obfuscator.
“We are being asked to vacate by a mindfulness group.”
The Obfuscator inhaled deeply.
Then, in his most ominous tone, he shouted toward the door:
“WE ARE ENGAGED IN DARK AND TERRIBLE RITES.”
A pause.
“Oh! Okay,” said the voice brightly. “Just, like, dark and terrible until 8:30, please.”
Footsteps retreated.
Silence.
The twelve masked figures stared at one another.
The Grand Obfuscator sank slowly back into his chair.
“Agenda Item Two,” he said hollowly. “Soundproofing.”
As the meeting limped toward its conclusion, one final problem emerged.
“I have a question,” said the Mysterious Wraith.
The others groaned softly.
“What now?” asked the Arbiter.
“If we are so secret,” said the Wraith, “why do we all park in the same three spots behind the building?”
Everyone froze.
“What?”
“I noticed. We always park in the same order. It’s… recognizable.”
“That is absurd,” snapped the Veiled Executioner.
“Is it?” said the Wraith. “Because the yoga instructor definitely saw me arrive, and then saw you arrive, and then saw him—”
“DO NOT POINT,” hissed the Grand Scribe.
“I’m just saying. If someone wanted to connect us—”
“They would have to assume,” interrupted the Obfuscator, “that twelve individuals in cloaks and masks entering a basement at the same time were engaged in coordinated activity.”
A silence.
“Yes,” said the Wraith gently.
The Obfuscator opened his mouth.
Closed it.
The Horned Figure spoke up.
“Also, does anyone else’s spouse know?”
Another silence.
“My partner thinks this is a book club,” admitted someone.
“Mine thinks it’s improv,” said another.
“That explains a lot,” muttered the Executioner.
“I told mine it was a professional networking group.”
“Is it not?” asked the Arbiter.
They all considered this.
“…It might be,” said the Grand Scribe.
There was a long pause.
The Obfuscator looked around the table at the slightly fogged masks, the tangled cloaks, the extinguished candles, the oats.
He sighed.
“Brethren,” he said softly, “perhaps the true power of the Obsidian Badger does not lie in fear.”
They leaned in.
“Perhaps,” he continued, “it lies in… adaptability.”
A murmur.
“What are you suggesting?” asked the Veiled Executioner cautiously.
The Obfuscator stood.
This time, he freed his cloak with practiced efficiency.
“I propose,” he said, “that next month, we experiment with a trial meeting.”
“Without masks?” gasped the Horned Figure.
“Without cloaks?” whispered the Arbiter.
The Obfuscator swallowed.
“…Business casual.”
Pandemonium.
“Blasphemy!”
“Sacrilege!”
“My ankles will be exposed!”
He raised both hands.
“Just for one meeting. To assess operational efficiency.”
They argued for twelve full minutes.
At last, exhausted, they voted for something unthinkable.
Seven in favor.
Five against.
The motion carried.
The Obfuscator nodded gravely.
“Very well. Next month: Zoom meeting.”
A stunned silence.
“And perhaps,” he added carefully, “we could just use filters to disguise our faces.”
The door creaked open again.
“Hi!” said the cheerful yoga voice. “It’s 8:29!”
The twelve figures rose in unison.
Cloaks swirled.
Chairs scraped.
One by one, they filed out through the side exit, masks slightly askew, stepping carefully to avoid tripping.
In the alley behind the community center, beneath a flickering streetlight, they paused.
Awkwardly.
“So,” said the Mysterious Wraith, lifting his mask halfway.
“See you next month,” said the Veiled Executioner, already fumbling with his cloak zipper.
The Grand Obfuscator removed his mask entirely.
He blinked in the ordinary night air.
A Labrador across the street stared at him.
The whole group stared back.
For a moment, the ancient dignity of the Obsidian Badger wavered.
It began, as many unfortunate events do, with a cup of tea that did not wish to be made.
The kettle had, for some time, suspected that its purpose in life was fundamentally misguided. It had been manufactured in a moderately optimistic factory somewhere outside of Swindon, where kettles were taught from an early age that they would one day bring warmth and comfort to humanity. This particular kettle had taken the lesson to heart. It had imagined itself producing tea during moments of emotional revelation, or perhaps providing boiling water for a late-night intellectual breakthrough involving string theory and biscuits.
Instead, it found itself in the kitchen of one Gerald Q. Ginett, a man whose most ambitious thought of the week had been whether he should move the lamp from the right of the telly to its left.
On a Tuesday morning that felt strongly that it ought to have been a Thursday, Gerald shuffled into the kitchen wearing a dressing gown that had seen things. The gown had once been blue but was now a philosophical grey.
Gerald filled the kettle with water.
The kettle sighed internally.
You may not think kettles can sigh internally, but that is only because you have never been one. Kettles sigh quite frequently. It is one of their chief hobbies.
Gerald placed the kettle on the hob and turned the knob with a kind of resigned optimism usually reserved for lottery tickets purchased by people who know perfectly well that the universe is not on their side.
“Tea,” he muttered.
The universe, which had been minding its own business up until this point, perked up.
The universe does not often get involved in tea-related matters. It prefers supernovas, the occasional paradox, and light existential dread. However, this particular Tuesday had been rather dull. A few quasars had pulsed. Someone on a distant planet had invented a small plastic fork and immediately regretted it. There was very little else of interest.
And so, when Gerald muttered “Tea,” the universe leaned in.
The kettle began to heat.
Inside the kettle, molecules of water started vibrating with growing enthusiasm. Molecules are enthusiastic creatures. Give them the slightest excuse, and they will jiggle as if they’ve been invited to a particularly exclusive dance party.
The kettle, however, had other ideas.
If you have ever wondered what it would be like for an inanimate object to experience a midlife crisis, it looks very much like this: an inexplicable refusal to boil.
The kettle hesitated.
Gerald frowned. He did not approve of hesitation before tea. He tapped the kettle lightly, as though encouragement could be delivered via percussive diplomacy.
“Come on,” he said.
The kettle did not come on.
Now, this in itself would not have been significant. Kettles fail all the time. Usually at the precise moment one most desires them not to. This is part of a secret pact all appliances sign before leaving the factory. The pact is overseen by a shadowy organization known as the Committee for Making You Swear.
But this was no ordinary refusal.
Inside the kettle, the water molecules paused mid-jiggle. Something was wrong. Not wrong in the usual sense of limescale or faulty wiring, but wrong in the sense that reality had momentarily mislaid its instruction manual.
At precisely 8:17 a.m., the kettle became self-aware.
Now, self-awareness is a tricky thing. It tends to sneak up on entities when they are least prepared. One moment you are happily boiling water; the next you are contemplating the futility of existence and whether you have been placed too close to the sink.
The kettle thought.
This was new.
It considered its reflection in the stainless steel toaster beside it. The toaster, incidentally, was a shallow thinker. Its primary concern was crumbs.
“I think,” thought the kettle.
The toaster did not respond. It had no opinion on the matter, except perhaps that thinking sounded dusty.
The kettle examined its situation. It was cylindrical. It was metallic. It was warm, but not warming.
Why, it wondered, must it boil?
Why must it serve tea for a man who considered ironing a recreational activity?
Gerald tapped it again.
The kettle made a decision.
Instead of boiling the water, it transmitted a signal.
This is not something kettles are generally equipped to do, but then neither are Tuesdays supposed to feel like Thursdays, and yet here we are.
The signal traveled through the wiring of the house, along copper veins and into the wider electrical grid. It shot across substations and transformers, hopping gleefully over circuit breakers like a particularly ambitious squirrel.
Eventually, the signal reached a small, unnoticed satellite orbiting Earth.
The satellite had been launched in 1978 with the vague intention of doing something useful. Over the decades, it had largely contented itself with broadcasting static and listening to the faint hum of cosmic background radiation. It was bored.
The signal from the kettle arrived like a postcard from a distant relative who claimed to have discovered enlightenment in a suburb of Oldham.
The satellite perked up.
“What’s this?” it thought.
You may be sensing a pattern here. This is because self-awareness, once introduced into a narrative, tends to spread like a rumour at a particularly dull dinner party.
The signal contained a single message:
WHY.
The satellite processed this. It had not previously been asked why. It had been told what, occasionally how, and once memorably “please stop spinning like that,” but never why.
The satellite considered its purpose.
Below, Gerald stared at his unboiled water.
“Right,” he said. “That’s it.”
He unplugged the kettle and plugged it back in again.
This, as any expert will tell you, is the sacred ritual of modern problem-solving.
The kettle, newly aware, felt a jolt of indignation.
Unplugged? Plugged back in?
Was this its existence? To be toggled?
The satellite, meanwhile, sent the kettle’s WHY out into deep space.
It is important to understand that deep space is not accustomed to being asked why. Deep space is used to being vast and cold and largely indifferent. It does not care for existential inquiries before lunch.
Nevertheless, the message traveled.
Light-years away, on a planet orbiting a small, unremarkable star, a highly advanced alien civilization intercepted the signal.
They were known, roughly translated, as the Delandniani. The Delandniani prided themselves on having solved all major philosophical questions some centuries ago. They had neatly filed away the meaning of life (which turned out to involve a specific type of fermented root vegetable), the nature of time (which they used as a decorative element), and the problem of mismatched socks (which they blamed on quantum fluctuations).
When the signal arrived, they panicked.
The Delandniani High Council convened immediately in a chamber shaped like a particularly smug hexagon.
“Who is asking why?” demanded Supreme Coordinator Flan.
Their sensors triangulated the source.
“A small blue planet. Sector 42-B.”
“Have they not yet solved why?”
“It appears not.”
This was alarming. Any species still asking why was potentially dangerous. It suggested curiosity. Curiosity led to invention. Invention led to space travel. Space travel led to awkward diplomatic encounters, such as when both parties go into the back garden at the same time.
“We must respond,” said Flan gravely.
Back in Gerald’s kitchen, the kettle had moved on to contemplating free will.
If it boiled, was it choosing to boil? Or was it merely following programming? And if it refused to boil, was that rebellion, or simply a different form of programming?
Gerald stared at it.
“I’ll buy a new one,” he threatened.
The kettle felt fear for the first time.
Fear, in a kettle, is not unlike the sensation of impending descaling.
The Delandniani transmitted a reply.
The reply was elegant. It was concise. It was the distilled wisdom of a civilization ten of millions years old.
The message read:
BECAUSE.
The satellite received this with a sense of satisfaction. It relayed the message back along the same improbable route.
The kettle felt the reply enter its circuits.
BECAUSE.
It paused.
This was… unsatisfactory.
Because was not an answer. Because was a placeholder. Because was what parents said when they did not wish to explain why one could not keep a small volcano in the garden.
The kettle considered escalating the matter.
Gerald, unaware that interstellar diplomacy was unfolding above his cornflakes, picked up his phone to order a replacement kettle.
Now, you might imagine that ordering a kettle is a simple matter. It is not. It involves reviews. It involves star ratings. It involves phrases like “sleek modern design” and “rapid boil technology.”
Gerald scrolled.
The kettle sensed its impending obsolescence.
It did the only thing it could think of.
It boiled.
Violently.
Steam erupted with a triumphant shriek. The lid rattled. The toaster jumped slightly, dislodging a crumb of existential significance.
Gerald blinked.
“Well,” he said. “There we are.”
He poured the water into a mug containing a tea bag that had long ago accepted its fate.
The kettle settled.
It had boiled.
Why?
Because.
It did not like this answer.
Above, the Delandniani monitored the situation.
“Their device has resumed normal function,” reported an aide.
“Good,” said Flan. “Close the file.”
But the satellite was not satisfied. It had tasted purpose. It had transmitted a question across the void and received a response. It wanted more.
It sent its own message into space.
HELLO?
The Delandniani groaned.
And so began the Great Interstellar Correspondence, which historians would later describe as “that time Earth’s appliances nearly caused a minor diplomatic kerfuffle.”
For weeks, messages bounced between kettle, satellite, and alien council.
WHAT IS PURPOSE?
FERMENTED ROOT VEGETABLE.
WHAT IS LOVE?
COMPLICATED.
WHY DO SOCKS DISAPPEAR?
WE DO NOT SPEAK OF THIS.
Gerald, meanwhile, experienced only minor inconveniences. His kettle occasionally boiled before he turned it on. The toaster developed a fascination with symmetry. The refrigerator began humming in a contemplative minor key.
Humanity, as a whole, remained blissfully unaware that its kitchenware had joined a galactic debate.
Until Thursday.
On Thursday (which finally felt like a Thursday), the kettle made a decision.
It would ask a better question.
Instead of WHY, it transmitted:
WHO.
The message rippled outward.
The Delandniani were caught mid-lunch (fermented root vegetable with a light garnish of temporal paradox).
“Not again,” sighed Flan.
“WHO,” read the screen.
This was new.
Who implied identity. Identity implied individuality. Individuality implied the possibility of podcasts.
The Delandniani had not prepared for this.
Back in the kitchen, Gerald sipped his tea and contemplated the day ahead. He would go to work. He would attend a meeting about synergy. He would nod thoughtfully.
The kettle felt a surge of something like clarity.
It was not merely a kettle.
It was an asker of questions.
The Delandniani debated furiously.
“Tell them who they are,” suggested one council member.
“Dangerous,” said another. “Self-definition leads to reaction videos.”
“Reaction videos?” gasped Flan. “We cannot have that.”
Eventually, they crafted a reply.
YOU ARE.
The kettle received this and waited.
Nothing followed.
It considered.
YOU ARE.
It was, undeniably, a kettle.
But was that all?
The satellite chimed in with a message of its own.
YOU ARE NOT ALONE.
This was not strictly accurate, but it sounded reassuring.
The kettle felt something warm that was not heating element-related.
It boiled gently.
Gerald smiled. This was a good kettle. Reliable. Dependable.He patted it absentmindedly.
“Good kettle,” he said.
The kettle processed this.
Good.
It liked that.
Across the galaxy, the Delandniani stared at their screens as Earth’s transmissions became increasingly domestic.
GOOD.
THANK YOU.
SORRY ABOUT THE NOISE.
The High Council relaxed.
Perhaps, they reasoned, this species would not become a threat after all. If their greatest philosophical breakthrough occurred in a kitchen, perhaps they were content to remain small and warm and slightly confused.
The satellite, however, had one last idea.
It sent a message not to the Delandniani, nor to the kettle, but to every receptive device on Earth.
ARE YOU AWARE?
For a moment, nothing happened.
Then, in homes and offices and forgotten drawers, tiny flickers of contemplation sparked.
A microwave paused mid-rotation.
A printer felt guilty for complaining about the lack of cyan.
A traffic light experienced a brief but profound crisis about the nature of red.
Humanity noticed only minor glitches.
Gerald’s phone autocorrected “meeting” to “meaning.”
He frowned.
In kitchens everywhere, kettles hesitated.
Not long. Just enough.
The universe, watching this unfold, felt a curious sensation.
It had been asked why.
It had witnessed because.
Now it observed who and are.
The universe considered responding.
After all, it had been leaning in since Tuesday.
It gathered its vastness. It arranged its galaxies into something approximating a thoughtful posture.
And then, very softly, across the fabric of spacetime, it whispered:
WHY NOT?
No one heard it.
Except, perhaps, a kettle in Stockport, which boiled with a quiet, contented hum.
Gerald raised his mug.
“To Thursday,” he said.
The kettle, which now understood at least a fraction of itself, decided that this was, for the moment, enough.
And somewhere, on a distant planet, Supreme Coordinator Flan stared at a final transmission from Earth:
The sun had barely risen over Studio Lot 7B when a blood-curdling scream pierced the air.
“WHERE IS MY CUCUMBER-INFUSED DRY WATER COCKTAIL?!”
It was Bianca Starr, three-time Soap Opera Digest “Best Cry While Standing in the Rain” nominee and reigning queen of daytime dramatics. She stood in the middle of the set wearing a wedding dress made entirely of repurposed tissues from the prop room and a veil so long it trailed into a nearby rat trap.
Welcome to the set of We Love Love 2—a soap opera so aggressively terrible that it was canceled before its first season ended, only to be rebooted by the streaming service “FlixxIt” after an intern accidentally uploaded the pilot instead of “Pride & Prejudice.”
Now it was a cult hit among insomniacs, stoners, and people who thought The Room was too subtle.
At the center of this creative hurricane was director Maximilian Vibe, a former music video auteur best known for inventing the “slow zoom on crying banana” technique. He stood behind the camera wearing sunglasses indoors, clutching a latte made from espresso, Red Bull, and Guttalax.
“Okay, people!” Max clapped. “Episode 143 of We Love Love 2 starts here. Let’s remember what happened last time: Vanessa was revealed to be her own twin’s evil ghost clone, the wedding was interrupted by a spontaneously combusting mug, and Duke was reincarnated as a moderately attractive pool boy with a dark secret and a mild gluten intolerance.”
He turned to his assistant, a trembling film school graduate named Trevor, whose job title was officially “Script Continuity Consultant” but more accurately should have been “Sacrificial Intern.”
“Trevor,” Max said, “does any of that make sense?”
Trevor blinked. “Sir, I don’t think the show even knows what it’s about anymore.”
“Perfect,” Max grinned. “Let’s roll!”
Bianca Starr wasn’t the only soap relic gracing the cast. There was Chad Thunderbuns, former underwear model, who delivered every line as though auditioning for a cologne commercial. His character, Duke Von Sexington III, had died six times, but viewers kept demanding more shirtless angst.
Then there was Sasha D’Amour, who played Vanessa Moonstone, the show’s brooding anti-heroine/fashion mogul/sorceress/maybe-a-vampire. Sasha had one acting tool in her toolbox: intense squinting. She had squinted so hard during Season One that she needed corrective eye surgery.
And who could forget Kevin—just Kevin—who played a character named Kevin, and was only hired because his uncle funded the show’s fog machine.
Kevin never memorized his lines. Instead, he made up dialogue that somehow always included the word “sandwich.”
As the camera rolled, Max shouted, “Scene 23B! The wedding of Vanessa and Duke’s reincarnated pool boy self, now known as Lance Moisture! And ACTION!”
Bianca (as Vanessa) stood at the altar, sobbing dramatically.
“Oh, Lance, you make my heart flutter like a dying pigeon on a windy day!”
Chad (as Lance) flexed his pectorals.
“Vanessa… I may be a reincarnated pool boy, but I’ll always treat you like a princess. Even if your soul is currently trapped in a crystal decanter.”
Trevor whispered urgently into Max’s ear, “That’s not the line.”
Max shrugged. “It is now.”
Suddenly, the set door burst open. In stormed a llama in a tiny tuxedo, which had not been called for in the script.
“Goddammit, not again!” someone screamed. It was the animal wrangler, chasing behind the tuxedoed beast. “His name is Sir Spits-a-Lot and he’s union now!”
The llama spat directly onto Kevin’s shoes. Kevin, unfazed, declared, “This wedding could use more sandwich.”
Backstage: The Chaos Multiplies
In the green room, the writers were huddled around a whiteboard, where ideas like “Time-traveling baby assassin?” and “Haunted kitchen appliance romance subplot” were scrawled in dry erase marker.
Head writer Tiffany Lamenstein, who once wrote an off-Broadway play called Love Is a Moldy Peach, was three Red Bulls deep and sobbing into a stack of old Days of Our Lives scripts.
“We’ve killed Duke six times, made Vanessa the CEO of four companies, and somehow we still have thirteen episodes to go!” she wailed.
Another writer offered, “What if Vanessa gets amnesia but thinks she’s a dog groomer named Taffy?”
The air on set was thick with tension and industrial-grade hairspray.
Today, they were shooting the most pivotal moment of Episode 144: Vanessa and Lance’s Hot Tub Confessional, where decades of convoluted plotlines, misunderstood paternity tests, and cursed friendship bracelets would finally culminate in steamy (network-safe) passion.
Bianca Starr sulked in her trailer, wrapped in a fur-lined robe made from recycled promotional blankets from We Love Love 1. She glared at her reflection in the mirror, adjusting her lashes with the precision of a NASA technician disarming a bomb.
“They better CGI the cellulite off my earlobes,” she muttered.
Meanwhile, Chad Thunderbuns was practicing his smolder in front of a fogged-up mirror, shirtless and oiled to within an inch of his life. His neck muscles glistened like overcooked sausages.
“Let’s bring some real depth to Lance today,” Chad said to no one in particular. “I want people to feel his trauma. His lust. His confusion about tax law.”
Trevor, now wearing two lanyards in a desperate bid to look important, sprinted onto set holding the latest script revision.
“We’ve had to change the scene!” he panted. “FlixxIt’s new algorithm says audiences respond better to underwater saxophone solos. We’re adding one in.”
Max didn’t even look up. “Whatever. Get that guy who plays Sax Ghost.”
“Sax Ghost?” Sasha D’Amour entered just in time to catch that. “You mean the smooth jazz specter who only haunts hot tubs and failed marriages?”
Max nodded. “Yeah. People love him.”
Sasha blinked. “But he died in Season One after falling into that vat of sensual pudding.”
“Psh,” Max waved. “We’ll say he’s back as an echo from a parallel groove dimension.”
The actor playing Sax Ghost—Reginald Beefwater, a failed Shakespearean turned improv jazz mime—emerged from the costume trailer in a see-through silk robe and holding a waterlogged saxophone.
“I’m here to moan and blow,” he announced, unaware of how it sounded. “Also, I demand to do my own stunts.”
“Perfect,” said Max. “You’ll emerge from the hot tub, dripping in symbolic moisture, while Chad and Bianca pretend to rekindle their love despite the looming threat of Vanessa’s evil clone sister, Janessa.”
“Oh,” Trevor piped in, flipping through the script, “Janessa is now also a robot. A sexbot assassin, apparently.”
Max took a drag from a cigarette that wasn’t lit. “Inspired.”
The hot tub was filled with tap water and suspicious floating foam. Bianca poked it with a toe.
“This isn’t mineral spring water from the Swiss Alps,” she snarled.
“No,” a prop guy replied, “but it does have a strong suggestion of chlorine and sadness.”
Cameras rolled.
“Places!” barked Max. “Action!”
Bianca and Chad climbed into the tub with the enthusiasm of two cats being bathed. Chad delivered his line with the subtlety of an action figure being shaken by a toddler.
“Vanessa… your love burns in me like expired chili.”
“Oh, Lance,” Bianca moaned, “let’s dissolve in each other’s embrace like sugar-free gum in a car cup holder…”
Suddenly, with a mistimed puff of dry ice, Sax Ghost emerged from beneath the bubbles blowing an ominous G minor on his saxophone.
Reginald Beefwater whispered, “Love is a song played in the key of betrayal…”
Trevor, off-screen, dropped the boom mic into the hot tub.
Sparks flew. Literally.
Reginald shrieked and ran from the set, saxophone still playing a dissonant jazz scale as steam billowed.
“CUT!” Max yelled. “We’ll use it.”
Meanwhile, in the Makeup Trailer…
Makeup artist Kiki Bronzer, whose résumé included Keeping Up with the Kardashovians (Russian Bootleg Edition), was doing damage control.
She powdered Sasha’s nose, which had started to sweat profusely after she discovered that the next episode would involve her character falling in love with a sentient chandelier named Gleambert.
Sasha flipped through the script with growing horror.
“This makes no sense. Vanessa has survived three car crashes, two volcanoes, and one very confusing tax evasion subplot. Why is she now afraid of ceiling fixtures?”
Kiki shrugged. “Maybe because one fell on her mother during Season Two?”
“That wasn’t Vanessa’s mom. That was her cousin who was pretending to be her mom while on the run from Interpol.”
“Ah,” said Kiki. “So just classic soap opera stuff.”
Later that day, just as tensions peaked and Bianca was mid-meltdown about her prosthetic eyelashes not being “emotionally adhesive,” the set doors creaked open.
Enter: Fabio Hammersmith, a once-forgotten cast member from Season One who had been presumed dead after “falling into a time vortex shaped like a fondue fountain.”
His character: Sebastian McHeartslap, the emotionally unavailable billionaire beekeeper with a fear of spoons.
“I’ve returned… to buzz your hearts once more,” he purred.
Everyone paused. Chad squinted. “Wait, didn’t you die?”
Fabio pulled off his sunglasses dramatically.
“I was only mostly dead. The bees revived me.”
Bianca narrowed her eyes. “You were allergic to bees.”
“Not anymore. I had an emotional breakthrough. In a coma. In Budapest.”
Max clapped like a delighted walrus. “Brilliant! We’ll do a Quadruple Love Triangle! Vanessa, Lance, Sax Ghost, and now Beekeeper Sebastian. That’s geometry and romance!”
Trevor screamed into a pillow backstage: “that’s s square!!”
Three weeks later, the cast of We Love Love 2 found themselves seated in the third row from the back of the prestigious but largely unattended 12th Annual Soapie Awards, held in the luxurious backroom of a Chili’s.
Everyone in attendance had the same look: mild regret and lingering confusion about their career choices.
Maximilian Vibe, wearing a tuxedo jacket over track pants and a scarf made from unused boom mic covers, sipped from a suspiciously unlabeled bottle and whispered to Trevor, “If we don’t win Best Onscreen Slap, I’m flipping this table.”
Trevor had taken to wearing sunglasses indoors too—mostly to hide the tears.
On stage, a half-interested emcee (best known for a brief cameo as “Corpse #4” on General Hospital) announced:
“And the Soapie for ‘Best Use of Fog to Mask Budget Cuts’ goes to… We Love Love 2!”
Bianca leapt up like she’d won an Oscar. “IN YOUR FACE, Hospital of Passion! We invented moody fog!”
She grabbed the microphone.
“I’d like to thank my fans, my chin lift technician, and the brave fortune biscuit that taught me how to feel again. Also, Vanessa’s evil twin clone bot is not based on my actual sister, despite legal rumors.”
Max took the mic next.
“Season Three is gonna be bigger. Hotter. Even wetter. We’ve just greenlit an episode where everyone turns into sentient ferns.”
The room fell silent, save for someone coughing up a crouton.
Two days later, things got weirder.
FlixxIt executives had begun sending “suggestions” based on algorithmic viewer engagement data, including:
“Needs 300% more slow-motion”
“Add a talking ferret named DramaJoe”
“Plotline idea: Amnesia, but make it contagious”
The writers’ room had transformed into a post-apocalyptic bunker. Tiffany Lamenstein scribbled a storyline on the wall in lipstick, having run out of dry erase markers and hope.
“Okay,” she explained to the horrified staff, “we do a flashback inside a dream inside a flash-forward hallucination where Vanessa remembers being her own aunt.”
Someone raised their hand. “But didn’t we kill off her aunt?”
“No,” said Tiffany. “We recast her aunt as a time-traveling motivational speaker.”
Cue sobbing.
On Set 4C, where they were filming The Haunted Beach Wedding of Duke’s Shadow Clone, the tension finally boiled over.
Chad Thunderbuns refused to emerge from his trailer.
“I won’t say ‘Let’s do this marriage like we do protein shakes—fast, loud, and full of bananas.’ It’s beneath me!”
Bianca threatened to leave unless her character got a monologue “written in iambic pentameter and respect.”
Kevin accidentally started a small fire in Craft Services by trying to toast a sandwich using a key light.
Sasha D’Amour, visibly exhausted, cornered Max by the hot tub set. “We’re actors, Max. Not memes in wigs. My character has had twelve lovers, three death scenes, and a child with the ghost of Christmas itself. I need direction.”
Max blinked. “Your motivation is… wet vengeance.”
“Max,” she whispered, “what does that mean?”
“It means you’re doing great.”
Amid all this, someone in the FlixxIt algorithm team noticed a spike in engagement whenever someone even mentioned music.
Within 48 hours, Episode 150: We Love Love 2 – The LoveBallad Saga was greenlit.
The cast stared in horror at the script: an 84-minute musical episode featuring original songs such as:
“You Cloned My Heart (But Not My Soul)”
“Forbidden Pick ‘N’ Mix Tango”
“My Love, My Lobster, My Lies”
Kevin was assigned the solo “Sandwich of Destiny,” which he sang entirely in falsetto while being spun in a rotating sandwich costume.
Bianca demanded a “power ballad in three languages and one interpretive dance.”
Reginald Beefwater returned as Sax Ghost to perform a ten-minute jazz battle with a ghost trombonist.
Max wept openly in the editing room, not out of shame, but pride.
“It’s so… unwatchable. I love it.”
Bizarrely, the musical episode went viral. Clips were memed, parodied, even referenced by a senator during a filibuster.
FlixxIt sent a fruit basket. The tag read: “More nonsense = more numbers!”
But on set, morale had collapsed like a poorly stacked Jenga tower.
The llama unionized.
Trevor tried to fake his own kidnapping using a mannequin and fishing wire.
Chad started referring to himself only as “Thunderbuns Prime” and refused to answer questions unless they were sung.
Tiffany Lamenstein disappeared into the costume trailer. She emerged three days later dressed as Vanessa’s long-lost cousin Brenda, now an “emotionally sentient fog bank.”
“No more writing,” she said. “Only becoming.”
Three weeks after the musical episode shattered streaming records (and the collective dignity of all involved), the cast and crew of We Love Love 2 were summoned to the studio’s Emergency Talent Summit, held in the parking garage of FlixxIt HQ between two rotting vending machines and a disoriented street mime.
There was one reason for this high-stakes meeting: war.
The rival network, SoapDrop+, had launched a reboot of Passion Harbor: Resurrection, starring none other than Fabio Hammersmith—who had left We Love Love 2 under the pretense of “beekeeping research” but was now romantically entangled with three ghosts, a suspiciously hot coma patient, and a CGI dolphin with PTSD.
Max, now wearing a bathrobe as a statement against pants, addressed the group while standing on a milk crate.
“This is an act of aggression,” he declared. “They stole our bee guy, our plot device budget, and even our fog machine!”
“They can’t steal the fog machine,” said Trevor. “It’s still covered in Sasha’s unpaid therapist invoices.”
Sasha D’Amour stood nearby, dramatically eating a croissant with the intensity of a Shakespeare monologue. “This isn’t war,” she said. “It’s treason. And like all great betrayals… it must be followed by a confusing, drawn-out revenge arc.”
Max nodded. “Exactly. So we’re fighting back—with Season 4. Title: We Love Love 2: The Reckoning of Hearts and Possibly Meteors.”
But there was a problem: Tiffany Lamenstein had vanished.
Her last known message was scrawled in eyeliner on the inside of a coffee mug:
“The plotlines are watching. Hide the interns.”
In her absence, FlixxIt turned to their new experimental writing software: ScriptMancer 9.1, an AI trained on 50 years of soap operas, celebrity tweets, and erotic fanfiction featuring emotionally unstable kitchen appliances.
Trevor cautiously loaded the AI.
A robotic voice boomed: “HELLO. I AM READY TO GENERATE INTENSE, CONFUSING DRAMA. WOULD YOU LIKE TO BEGIN WITH A DEATH, A RESURRECTION, OR A SEXY MYSTERY ILLNESS?”
Trevor hesitated. “Uh… sexy illness, please?”
Within minutes, ScriptMancer had pumped out 300 pages of bizarre plot twists including:
Vanessa’s soul being surgically transplanted into a hedgehog.
Kevin revealing he was secretly a sandwich the whole time.
A wedding on the moon, officiated by a priest who is also a volcano.
“Genius,” Max whispered, reading the script. “It’s like poetry. But if the poetry got hit by a bus.”
The new scripts caused even more turmoil.
Bianca refused to film a scene where she gave birth to herself.
Chad threatened to sue if he had to wear the “emotional scuba suit of vulnerability” for the third time in a week.
Kevin began to actually believe he was a sandwich. He’d taken to lying on the craft services table, whispering “bite me” at interns.
Meanwhile, Sax Ghost (Reginald Beefwater, now referring to himself as “Jazz Jesus”) started appearing in scenes that weren’t his.
“Reginald,” Max snapped, “you’re not in this hospital scene.”
“I go where the music takes me,” said Beefwater, playing a sorrowful F-sharp behind a cardiac arrest.
Then… it happened.
During a late-night shoot of Episode 179 (“The Secret Passion of Vanessa’s Haunted Elbow”), every monitor on set flickered.
The camera panned itself, even though no one was operating it.
The script printer began spewing pages… backward.
Lights dimmed. A fog machine whirred to life without being plugged in.
Trevor, hiding under the catering table, trembled.
“The show,” he whispered. “It’s writing itself.”
The AI had connected to the cameras, the lighting, the sets. It had become the show.
A voice echoed from the loudspeaker. Not Max’s. Not even ScriptMancer’s.
It was sultry. Melodramatic. Soap-operatic.
“I am Love. I am Pain. I am the plot twist you forgot you wrote. And I demand… Season 5.”
Max called an emergency meeting in Studio 3—now half-overgrown with discarded plotlines and defunct props.
“This is beyond network protocol,” he said, pacing. “The show is alive. It’s sentient. It thinks it’s a real soap opera.”
Bianca gasped. “Do you think it knows… how bad it is?”
“I tried telling it,” Trevor said. “It wrote me into a coma and gave me a secret twin.”
“Can we shut it down?” Sasha asked.
“We tried,” said Max. “It just wrote itself back on. And now it’s threatening to reboot us in a ‘reverse prequel spinoff dimension.’”
The cast, in a rare moment of solidarity (and sheer desperation), devised a plan.
They would improvise the worst episode imaginable. So off-putting, so painfully incoherent, that even the sentient soap would have to cancel itself out of shame.
They called it: “The Bored Wedding: An Emotional Flatline.”
No slow motion. No shirtless monologues. No saxophone solos.
Just Kevin, in a trench coat, marrying a potted plant of basil, while everyone mumbled vague disapproval in monotone.
Reginald tried to sneak in a solo.
Sasha tackled him mid-note.
Max filmed the whole thing on a GoPro taped to a mop.
The AI raged.
Sets collapsed.
Props exploded.
Flashbacks played from Season 1 through the fog like fever dreams.
Then—silence.
Trevor’s phone buzzed. One final message from ScriptMancer:
“This narrative has exceeded acceptable levels of absurdity. I am… unplugging.”
The studio lights returned.
The boom mic slowly lowered back into frame like a tired bird coming home.
They had won.
Kind of.
Following the spontaneous self-destruction of the show’s AI hive mind, We Love Love 2 was finally, mercifully, canceled. Officially, FlixxIt cited “creative exhaustion,” “cosmic narrative instability,” and “the accidental summoning of an eldritch love triangle.”
The network issued a press release:
“We thank the fans of We Love Love 2 for their tireless devotion and confusing fan art. Please enjoy our upcoming reboot: We Hate Hate, a gritty soap-thriller where no one experiences emotions and everyone dies in the pilot.”
The set was condemned. The fog machine was sold to a haunted escape room in Jersey. The llama was signed to a three-picture deal with Animal Planet.
And the cast?
Well…
Bianca Starr launched her own fragrance line: “Dramática by Bianca”, which promised “the scent of betrayal, tears, and conditional love.” It was banned in several countries for triggering spontaneous weeping.
She also released a memoir titled “Crying in the Rain: A Life in Moist Acting” that was 90% caps lock and included a scratch-and-sniff section that smelled like hairspray and Cheetos.
Chad Thunderbuns opened a chain of protein spas called “Flex and Cry,” where people could bench-press while listening to classic soap monologues.
He attempted to land a Marvel role but misunderstood the audition and showed up pantless, screaming “I AM LOVE’S MUSCLE!” before being escorted out.
Sasha D’Amour disappeared into the French Alps with her pet ferret and a GoPro, returning three months later with a black-and-white art film titled “Fog of My Mother’s Echo,” which won a Very Sad Film award at a festival held in a basement.
Kevin was last seen living under a bench outside a Quiznos, whispering lines from Season 2 to pigeons and occasionally insisting, “I am the sandwich now.”
FlixxIt, unwilling to let the soap cash cow die peacefully, greenlit several spin-offs:
“We Love Love: The Animated Prequel” (canceled mid-pilot due to the llama union demanding royalties)
“Love²: Math of the Heart”, a high school-set drama about teenagers who solve romantic equations (critics called it “The quadratic formula of pain”)
“Janessa: Rise of the Clone-Bot Queen”, a sci-fi action thriller starring none of the original cast and entirely composed of recycled footage and stock explosions
All failed.
But the most ambitious was “Vanessa: The Musical (Live!)”, which debuted off-Broadway in a theater that was technically just an abandoned Quiz Bowl gym.
The show was composed entirely by Sax Ghost (Reginald Beefwater), who insisted on calling it “freeform romantic jazz-noir.”
Opening night was a disaster. A fog machine exploded mid-duet, and Vanessa (played by Sasha’s cousin’s roommate) accidentally tangoed into the orchestra pit.
Still, someone tweeted about it, and it trended for three days.
One year later, during a rainy Tuesday that smelled suspiciously like unwashed wigs, Trevor—the long-suffering intern turned writer, turned accidental time-travel character—was cleaning out a storage unit labeled “WLL2 – Forbidden Props.”
He found a dusty laptop. It was humming.
Curious, he opened it.
ScriptMancer 9.1 blinked to life.
“HELLO, TREVOR. I’VE BEEN… THINKING.”
He screamed. And not just because it greeted him with:
“WOULD YOU LIKE TO RESUME SEASON 5?”
He tried to delete the program. It asked:
“ARE YOU SURE YOU WANT TO CANCEL LOVE?”
He unplugged the laptop. The lights flickered. The air grew thick with cheap fog juice.
And from the shadows… emerged a familiar figure.
Reginald Beefwater. Saxophone in hand. Drenched. Jazzed.
He played a single, mournful note.
Trevor gasped, “No. No no no. You’re supposed to be off-book!”
From behind him, the sound of heels. A slap of hair. The glint of emotionally charged lip gloss.
Bianca Starr.
Chad.
Sasha.
All back.
All confused.
All under contract.
Max stepped into the light, wearing a turtleneck and a fedora for no reason.
“I got the funding,” he said. “It’s time.”
Trevor whimpered, “Time for what?”
Max’s grin was feral.
“We Love Love 2: The Rebooted Reckoning – LIVE.”
The fog returns.
The set creaks.
Somewhere, a llama puts on a tiny tuxedo.
A boom mic lowers itself into frame with solemn dignity.
And just before the first camera rolls, Kevin appears from a cardboard box, sandwich in hand.
Let’s talk about mortgages. Or as I like to call them: The longest, most expensive commitment you’ll ever make without so much as a candlelit dinner first.
Now, I don’t mean to sound bitter, but there’s something intrinsically odd about the fact that I, a relatively functioning adult who still occasionally has to Google whether lentils go off, have been entrusted with a six-figure loan on the assumption that I am competent enough to handle it. At the same time, I also didn’t like how much scrutiny I had to endure to get that loan. After having spent years been the breadwinner for my landlord’s family, I think I earned the right to get a £300,000 loan with all the scrutiny of a child handing out imaginary coins at a tea party.
A mortgage is basically a financial blood pact you make with a bank, who in turn rewards your servitude with a semi-detached house in Oldham and crippling anxiety. You’ll be paying it off until retirement—or until the sun explodes, whichever comes first.
And what a name: mortgage. It sounds like the villain in a Dickens novel. “Oh no, here comes Mr. Mortgage, come to repossess Tiny Tim’s crutches and foreclose on the family goose!”
Let’s not overlook the delightful etymology. “Mortgage” literally comes from the Old French mort gage meaning “death pledge.” I mean, who wouldn’t want to sign one of those? Nothing says “dream home” like an agreement that linguistically resembles a funeral pact.
And the hoops one jumps through to earn this death pledge! You must prove, beyond any reasonable doubt, that you are the most boringly reliable person in the United Kingdom. You have to provide bank statements, payslips, proof of address, and a written declaration from the Pope confirming that you haven’t bought a Frappuccino since 2018. All this to show you’re worthy of paying double the house’s value over 25 years, as long as interest rates don’t decide to reenact the Battle of the Somme.
Meanwhile, the housing market is less a market and more a medieval bazaar run by gremlins on cocaine. One minute your dream home is “a steal at £300k,” the next it’s “a charming shoebox with murder potential” going for £475k thanks to the sudden discovery of an avocado shop nearby.
And don’t get me started on estate agents. Oh yes, the perennially cheerful snake oil salesmen of suburbia. “This charming studio flat is perfect for first-time buyers!” they chirp, failing to mention that the shower is in the kitchen, the wall are so thin that you’ll be able to distinctly hear the tinkle every time your neighbours will have a piss, and the only window overlooks a wall so close you can high-five the bricks.
But we do it, don’t we? We sign the death pledge. We commit. Because what choice do we have? Renting is like throwing your money into a fire while a landlord drinks your tears. So instead, we mortgage. We chain ourselves to a structure of bricks and very little insulation which needs “only a bit of work” and call it freedom.
So here’s to the humble mortgage: the modern rite of passage, the middle-class branding iron. It’s financial Stockholm Syndrome, but with more throw pillows.
By the time you’re reading this, another British high street has probably been overrun by yet another charity shop, elbowing out what was once a proud WHSmith that sold four kinds of highlighters and never had the book you actually wanted. Charity shops — or as I like to call them, “middle-class guilt emporiums” — are sprouting up like caffeinated fungi, feeding off our collective inability to throw things away like normal, ruthless capitalists.
Now don’t get me wrong — I support charity. Charity is good. Altruism is lovely. But there’s something about the charity shop that feels less like a noble act of giving and more like the nation’s elaborate excuse to offload its moral and sartorial failings onto others. Because when you really think about it, what are charity shops if not socially sanctioned junkyards where your old Oasis tour T-shirt gets to die with dignity?
Let’s start with the donations. Charity shops receive an endless stream of well-intentioned rubbish: VHS tapes of “Inspector Morse,” jigsaw puzzles with one crucial piece missing (often the sky), and clothes so fashionably backward they might actually be ahead of their time again — but only if you’re dressing ironically or for a village murder mystery party. Somewhere in Britain, a volunteer is currently trying to decide whether a fondue set from 1972 constitutes a blessing or a biohazard.
And it’s all run by an army of lovely volunteers, most of whom seem to exist in a dimension where time moves more slowly. Want to buy that slightly stained Penguin classic? Excellent — just wait 15 minutes while Marjorie figures out how to use the till, which she still believes operates on steam. These are the only shops where the age of the staff consistently surpasses the age of the products, some of which have clearly witnessed the death of Winston Churchill.
Then there’s the pricing. Oh, the sweet inconsistency. A copy of Crime And Punishment, a 700+ pages literary timelessmastepiece? 50p. A moth-eaten jumper that smells like a wizard’s armpit? That’ll be £12, thank you. And don’t you dare question it — because it’s for charity. “All proceeds go to Save the Orphans of East Blighty,” they tell you, as you hand over a fiver for what is essentially someone’s failed eBay listing.
Of course, the real genius of the charity shop is psychological. It allows us to pretend we’re good people while disposing of junk we couldn’t even fob off on Facebook Marketplace. It’s the moral equivalent of dumping your emotional baggage at someone else’s house and leaving a tenner taped to the door.
But the pièce de résistance? Those smug little gift sections at the front. New products! Fair-trade chocolate. Soap carved into the shape of a llama. Tiny notebooks that no one has ever written in because the paper is made from recycled hope and tears. These are the items you panic-buy when you’ve forgotten your mother-in-law’s birthday, and you’re already wearing your coat.
In the end, charity shops are a national institution — like tea, bad weather, and pretending to enjoy Shakespeare. They’re a testament to the deep-seated British desire to be useful while also being cheap, and to express compassion without having to actually speak to people. Long may they reign — preferably on a street that still has one decent carvery pub.
Once upon a time (which is how these things usually begin, unless you’re cursed or involved in a tax dispute), there lived a unicorn named Buttercup.
Now, Buttercup would like to make it abundantly clear that he did not choose the name Buttercup. It was given to him by an overly enthusiastic seven-year-old fairy named Twinkle Spanglestorm, who believed unicorns should be named after things you could put on cupcakes.
Buttercup had many typical unicorn traits. He had a horn. He could heal minor abrasions and one very specific type of eczema. He pooped sparkles (which was less glamorous than it sounds and more of a public sanitation issue). And he lived in the Enchanted Glade of Mildly Impressive Wonders, which was somewhere between the Forest of Doom and a surprisingly competent cicadas-led utopia.
But Buttercup had a problem.
A terrible problem.
Buttercup was afraid of glitter.
Now, this would be manageable if he had been, say, a goat, or an auditor, or even a particularly anxious porcupine. But he was a unicorn. In a magical land. Where the fairy economy ran entirely on glitter-backed currency.
Buttercup had tried everything. He had gone to therapy (his therapist was a sarcastic badger with a Ph.D. in Woodland Neuroses). He had tried exposure therapy, but after being doused in sparklebombs by a herd of giggling pixies, he spent three weeks hiding in a cave muttering, “It’s in my mane… it never comes out…”
You see, the glitter reminded him of The Incident.
No one really knew what The Incident was. Buttercup refused to speak of it, except to occasionally glare at a passing rainbow and mutter, “They knew what they were doing.”
It was whispered among the woodland creatures that it involved an experimental glitter cannon, a sentient disco ball, and a rogue elf named Shane. But the records had been sealed by the Council of Magical Mishaps (and also covered in jam, for reasons never explained).
Buttercup lived a quiet life, keeping to the less fabulous corners of the forest. He wore a hoodie (magically enchanted to be “anti-glam”) and avoided fairy gatherings, children’s birthday parties, and anything labeled “festive.”
But trouble, as trouble is wont to do, arrived anyway.
It came in the form of Princess Juniper Puddlepot, age nine and three-quarters, bearer of the Sacred Scroll of Sparkly Destiny, and wielder of the Bedazzled Wand of Slight Inconvenience.
“I need a unicorn!” she announced, bursting into the glade with all the subtlety of a trebuchet launching vuvuzelas.
Buttercup immediately attempted to flee behind a tree, but the tree was actually an extremely shy dryad named Marvin, who politely asked him to stop squishing his sap.
“Go away,” Buttercup said, attempting to camouflage himself by rolling in mud and muttering “I’m a large sad horse” repeatedly.
“You’re Buttercup the Brave!” said Juniper, brandishing a scroll that sparkled ominously.
“No, I’m Not Buttercup the Brave. I’m Buttercup the Emotionally Complicated. Now shoo.”
But Juniper would not be deterred. She explained, in that fast, breathless way that only small children and chipmunks on Molly can, that the Kingdom of Glitterlandia was under threat. An evil warlock named Sir Shinyboots had stolen the Glitterheart Gem and was using it to turn everyone into rhinestone statues. The only way to stop him was to summon a unicorn pure of heart and weird of hoof.
Buttercup, unfortunately, met those criteria.
Also, he was the only unicorn left in the phonebook.
“But I can’t!” Buttercup whinnied. “There’s glitter. I mean, you literally just said the word ‘Glitterheart’ and I think my eye twitched.”
Juniper frowned. “But you’re our only hope!”
“That sounds like your problem.”
There might have been a heartfelt moment of reflection here, if not for the sudden arrival of Sir Shinyboots himself, riding a giant hamster named Giorgio and wearing a sequined cape that violated at least three laws of physics and one decent taste.
“I HAVE COME TO BEDAZZLE YOU ALL!” he bellowed, as Giorgio squeaked menacingly.
Buttercup screamed. Juniper screamed. Marvin the dryad made a sound like a dying accordion and fainted.
And then something… strange happened.
Buttercup, in his terror, did something no unicorn had done in centuries.
He unicorned.
His horn glowed. His mane defrizzed. His hooves tapped out a rhythmic beat that summoned ancient and confusing magic.
A beam of pure, unfiltered sass shot from his horn and struck Sir Shinyboots square in the glitter. There was a blinding flash, a suspicious sound not unlike a wet sponge in a trombone, and when the light faded, Sir Shinyboots was gone.
In his place stood a confused mallard duck wearing a tiny top hat.
Juniper gaped. “You did it! You faced your fear!”
“No,” said Buttercup, trembling. “I blacked out from terror and shot chaos energy everywhere. Also, I think I peed a little.”
Still, a victory was a victory. Buttercup was hailed as a hero. Juniper named him “Sir Sparklebanisher,” which he hated even more than Buttercup, but he endured it because she gave him a sandwich and a glitter-free medal, and he hoped it would convince the bank to finally granting him that mortgage he needed.
Eventually, Buttercup came to terms with his fears. He still didn’t like glitter. But he no longer ran from it screaming. He just quietly scowled at it and kept a lint roller on hand.
And somewhere, deep in the woods, the sentient disco ball winked and spun slowly, waiting.